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Music in theory and practice /
Benward, Bruce.
Music in theory and practice / Bruce Benward, Marilyn Saker. - Eighth edition. - 2 volumes : illustrations ; 28 cm + 2 audio discs (digital ; 4 3/4 in.)
Includes bibliographical references (volume 1, pages 395) and index.
Scales, tonality, key, modes Intervals and transposition Chords Cadences and nonharmonic tones Melodic organization Texture and textural reduction Species counterpoint Voice leading in four-part chorale writing Harmonic progression and harmonic rhythm The dominant seventh chord The leading-tone seventh chords Nondominant seventh chords Secondary dominants and leading-ton chords Modulation Two-part (binary) form three-part (ternary) form -- Late Renaissance polyphony Two-voice eighteenth-century counterpoint The Fugue Borrowed chords Neapolitan 6th chords Augmented 6th chords Variation technique Sonata form Rondo forms 9th, 11th, and 13th chords Altered dominants Chromatic mediants The romantic period The post-romantic style Impressionism and related styles The early twentieth century Twelve-tone technique Music since 1945. volume 1. Notation volume 2.
9780073101873 0073101877 9780073101880 0073101885 9780077254957 0077254953 9780073127484 0073127485 9780073127439 0073127434 9780077294236 0077294238 9780073127415 0073127418
2008018491
Music theory.
MT6.B34 / M9 2009
Music in theory and practice / Bruce Benward, Marilyn Saker. - Eighth edition. - 2 volumes : illustrations ; 28 cm + 2 audio discs (digital ; 4 3/4 in.)
Includes bibliographical references (volume 1, pages 395) and index.
Scales, tonality, key, modes Intervals and transposition Chords Cadences and nonharmonic tones Melodic organization Texture and textural reduction Species counterpoint Voice leading in four-part chorale writing Harmonic progression and harmonic rhythm The dominant seventh chord The leading-tone seventh chords Nondominant seventh chords Secondary dominants and leading-ton chords Modulation Two-part (binary) form three-part (ternary) form -- Late Renaissance polyphony Two-voice eighteenth-century counterpoint The Fugue Borrowed chords Neapolitan 6th chords Augmented 6th chords Variation technique Sonata form Rondo forms 9th, 11th, and 13th chords Altered dominants Chromatic mediants The romantic period The post-romantic style Impressionism and related styles The early twentieth century Twelve-tone technique Music since 1945. volume 1. Notation volume 2.
9780073101873 0073101877 9780073101880 0073101885 9780077254957 0077254953 9780073127484 0073127485 9780073127439 0073127434 9780077294236 0077294238 9780073127415 0073127418
2008018491
Music theory.
MT6.B34 / M9 2009
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