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Conceptualizing music : cognitive structure, theory, and analysis /
Zbikowski, Lawrence Michael
Conceptualizing music : cognitive structure, theory, and analysis / Lawrence M. Zbikowski. - xiv, 360 pages : illustrations ; 25 cm. - AMS studies in music. . - AMS studies in music. .
Includes bibliographical references (pages 335-352) and index.
Introduction: Conceptualizing Music -- Categorization -- Cross-Domain Mapping -- Conceptual Models and Theories -- Categorization, Compositional Strategy, and Musical Syntax -- Cultural Knowledge and Musical Ontology -- Words, Music, and Song: The Nineteenth-Century Lied -- Competing Models of Music: Theories of Musical Form and Hierarchy -- Conclusion: Cognitive Structure, Theory, and Analysis. 1. 2. 3. 4. 5. 6. 7.
"Music theory is often seen as an arcane and somewhat forbidding discipline which stands at a distance from the sweet pleasure and sensuous thrill that is music. Theory, according to this view, is concerned with scales and chords and intervals, or with complicated and highly abstract systems of musical relationships. It is not concerned with how music captivates us. But Lawrence Zbikowski argues that this common view of music theory is wrong. Theorizing about music is something we do every time we try to make sense of our musical experience, and it involves the same cognitive capacities we use to make sense of the world as a whole. The play of concepts and conceptual structures typical of music theory is thus not something remote from our appreciation of music, but is instead basic to it."--BOOK JACKET.
0195140230 9780195140231 0195187970 9780195187977
2001058756
Musical perception.
Musical analysis.
Cognition.
ML3838 / .Z25 2002
Conceptualizing music : cognitive structure, theory, and analysis / Lawrence M. Zbikowski. - xiv, 360 pages : illustrations ; 25 cm. - AMS studies in music. . - AMS studies in music. .
Includes bibliographical references (pages 335-352) and index.
Introduction: Conceptualizing Music -- Categorization -- Cross-Domain Mapping -- Conceptual Models and Theories -- Categorization, Compositional Strategy, and Musical Syntax -- Cultural Knowledge and Musical Ontology -- Words, Music, and Song: The Nineteenth-Century Lied -- Competing Models of Music: Theories of Musical Form and Hierarchy -- Conclusion: Cognitive Structure, Theory, and Analysis. 1. 2. 3. 4. 5. 6. 7.
"Music theory is often seen as an arcane and somewhat forbidding discipline which stands at a distance from the sweet pleasure and sensuous thrill that is music. Theory, according to this view, is concerned with scales and chords and intervals, or with complicated and highly abstract systems of musical relationships. It is not concerned with how music captivates us. But Lawrence Zbikowski argues that this common view of music theory is wrong. Theorizing about music is something we do every time we try to make sense of our musical experience, and it involves the same cognitive capacities we use to make sense of the world as a whole. The play of concepts and conceptual structures typical of music theory is thus not something remote from our appreciation of music, but is instead basic to it."--BOOK JACKET.
0195140230 9780195140231 0195187970 9780195187977
2001058756
Musical perception.
Musical analysis.
Cognition.
ML3838 / .Z25 2002
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