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Turner, J. M. W. 1775-1851,

J.M.W. Turner : painting set free / Painting set free. edited by David Blayney Brown, Amy Concannon, and Sam Smiles ; with contributions from Rebecca Hellen, Matthew Imms, Brian Livesley, Nicola Moorby, and Joyce H. Townsend. - 256 pages : illustrations (chiefly color) ; 31 cm.

"This publication is issued on the occasion of the exhibition J.M.W. Turner: Painting Set Free, which is on view at Tate Britain (with the title Late Turner: Painting Set Free) from September 10, 2014 to January 25, 2015; at the J. Paul Getty Museum at the Getty Center, Los Angeles, from February 24 to May 24, 2015, and at the de Young, Fine Arts Museums of San Francisco, from June 20 to September 20, 2015"--Title page verso.

Includes bibliographical references (pages 242-244) and index.

Essays. Turner in and out of time / --The later life of Turner : body and mind / --'Born again' : old and new in Turner's later work / --'Ain't they worth more? : Turner's later watercolours / --Materials, technique and condition in Turner's later paintings / --Catalogue. Decline and fall : Turner's old age and his early biographers / --Turner elsewhere : travel and tours 1835-45 / --'Poetical' or 'preposterous'? history painting / --Turner and modern history / --Squaring the circle : new formats from 1840 / --Horizons : sea and sky / --Reflection and retrospect / --Chronology : J.M.W Turner 1835-51. Sam Smiles Brian Livesley David Blayney Brown Amy Concannon Rebecca Hellen and Joyce H. Townsend Sam Smiles Nicola Moorby David Blayney Brown Sam Smiles David Blayney Brown Amy Concannon David Blayney Brown

"When the prolific British painter Joseph Mallord William Turner (1775-1851) died at the age of 76, his contemporaries held a generally negative view of his recent work, describing it as indulgent, eccentric, and even repulsive. But over the past century, a number of curators and critics have reassessed Turner's late paintings. Instead of finding his employment of shimmering color to evoke light unpleasant or unskilled, they have seen it as a precursor to the Impressionists and consider his use of abstraction to be distinctly modern. In this elegantly conceived volume, leading experts on Turner consider these contrasting views of the artist in a groundbreaking exploration of his paintings. They examine his notes and sketchbooks to determine whether his health may have impacted his art and how Victorian views of old age influenced perceptions of the elderly artist. They also question the notion that Turner's late work articulated a conclusive, radical vision heedless of public reaction, for evidence makes clear that he had a firm idea of the art market in his day." -- Publisher's description.

ISBN: 1606064274

LCCN: 2014942015

Subjects--Personal Names:
Turner, J. M. W. 1775-1851 --Exhibitions.

LC Class. No.: Art/N6797.T88 / A4 2014