MARC ayrıntıları
| 000 -LEADER |
|---|
| fixed length control field |
03053nam a2200277 i 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
030128s2003 enka b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2003001918 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0415308844 |
| Terms of availability |
(alk. paper) |
|
|---|
| International Standard Book Number |
0415308836 |
| Terms of availability |
(pbk.: alk. paper) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Transcribing agency |
DLC |
| Modifying agency |
C#P |
| -- |
BAUN |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
BAUN_MERKEZ |
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
N72.S6 |
| Item number |
S62 2003 |
| 245 04 - TITLE STATEMENT |
|---|
| Title |
The sociology of art : |
| Remainder of title |
a reader / |
| Statement of responsibility, etc |
edited by Jeremy Tanner |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
London ; |
| -- |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Routledge, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2003. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xi, 265 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
25 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
volume |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (pages [245]-259) and index |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Preface |
| -- |
Acknowledgements |
| -- |
Introduction: Sociology and Art History |
| -- |
PART ONE Classical sociological theory and the sociology of art |
| -- |
Marxism and art history |
| -- |
Karl Marx |
| -- |
Social Being and Social Consciousness (1859) |
| -- |
Art and Ideology (1845/6) |
| -- |
Historical Development and Cultural Traditions (1857/8; 1852) |
| -- |
Art and cultural rationalization |
| -- |
Max Weber |
| -- |
Magical Religion, Salvation Religion and the Evolution of Art (1915) |
| -- |
The Tensions Between Art and Ethical Religion (1922) |
| -- |
Art and Rationalization in the Western World (1904) |
| -- |
Symmetry and Social Organization (1896) |
| -- |
Georg Simmel |
| -- |
Social structure, material culture and symbolic communication |
| -- |
Emile Durkheim |
| -- |
Symbolic Meaning and Objectification (1912) |
| -- |
Symbolic Objects, Communicative Interaction and Social Creativity (1912) |
| -- |
PART TWO The social production of art |
| -- |
Marxism and the social production of art |
| -- |
Raymond Williams |
| -- |
Productive Forces (1977) |
| -- |
From Reflection to Mediation (1977) |
| -- |
Art as Collective Action (1974) |
| -- |
Howard S. Becker |
| -- |
But Who Created the `Creators'? (1993) |
| -- |
Pierre Bourdieu |
| -- |
PART THREE The sociology of the artist |
| -- |
The Social Status of the Renaissance Artist (1951) |
| -- |
Arnold Hauser |
| -- |
The Van Gogh Effect (1996) |
| -- |
Natalie Heinich |
| -- |
Craftsmen's Art and Artists' Art (1993) |
| -- |
Norbert Elias |
| -- |
Material Agency and the Art of Artifacts (1994) |
| -- |
David Brain |
| -- |
PART FOUR Museums and the social construction of high culture |
| -- |
Art Criticism and the Institutions of the Public Sphere (1962) |
| -- |
Jurgen Habermas |
| -- |
Outline of a Sociological Theory of Art Perception (1968) |
| -- |
Pierre Bourdieu |
| -- |
Cultural Entrepreneurship in Nineteenth-Century Boston: The Creation of An Organizational Base for High Culture in America (1982) |
| -- |
Paul DiMaggio |
| -- |
Conflicting Visions in American Art Museums (1981) |
| -- |
Vera L. Zolberg |
| -- |
PART FIVE Sociology, aesthetic form and the specificity of art |
| -- |
The Dynamics of Spiritual Realities (1982[1922]) |
| -- |
Karl Mannheim |
| -- |
Van Eyck through the Looking Glass (1995) |
| -- |
Robert Witkin |
| -- |
Art as expressive symbolism: action theory and the sociology of art |
| -- |
Talcott Parsons |
| -- |
Expressive Symbolism and Social Interaction (1951) |
| -- |
The Cultural Elaboration of Expressive Meanings and the Evolution of Art (1961) |
| -- |
References |
| -- |
Index |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art and society |
|
|---|
| Topical term or geographic name as entry element |
Art |
| General subdivision |
Social aspects |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Tanner, Jeremy, |
| Dates associated with a name |
1963- |
| 900 ## - EQUIVALENCE OR CROSS-REFERENCE-PERSONAL NAME [LOCAL, CANADA] |
|---|
| Personal Name |
25916 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Kitap |
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