MARC ayrıntıları
| 000 -LEADER |
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| fixed length control field |
04436nam a2200349 i 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
101012t20101978caug 000 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
77073502 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780520266087 |
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| International Standard Book Number |
0520266080 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
TWU |
| Language of cataloging |
eng |
| Transcribing agency |
TWU |
| Modifying agency |
EXW |
| -- |
CNAUC |
| -- |
HMU |
| -- |
BTCTA |
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YDXCP |
| -- |
YOU |
| -- |
UtOrBLW |
| -- |
BAUN |
| Description conventions |
rda |
| 041 1# - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| Language code of original and/or intermediate translations of text |
ger |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
BAUN_MERKEZ |
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
MT50 |
| Item number |
.S25 2010 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Schoenberg, Arnold, |
| Dates associated with a name |
1874-1951 |
| 240 10 - UNIFORM TITLE |
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| Uniform title |
Harmonielehre. |
| Language of a work |
English |
| 245 10 - TITLE STATEMENT |
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| Title |
Theory of harmony / |
| Statement of responsibility, etc |
Arnold Schoenberg ; translated by Roy E. Carter |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
100th anniversary edition/ foreword by Walter Frisch |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
Berkeley, Calif. : |
| Name of producer, publisher, distributor, manufacturer |
University of California, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2010] |
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| Date of production, publication, distribution, manufacture, or copyright notice |
©1978 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xxix, 440 pages : |
| Other physical details |
music ; |
| Dimensions |
26 cm |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media Type Term |
unmediated |
| Media Type Code |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier Type Term |
volume |
| Carrier Type Code |
volume |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
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| General note |
Reprint. Originally published in 1911 by Universal Edition. This translation was first published in 1978 by University of California Press and was based on the third edition (1922) of the German text |
|
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| General note |
New foreword by Walter Frisch, dated 2010 at end |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Title |
Foreword to the Iooth Anniversary Edition |
| -- |
Translator's Preface |
| -- |
Preface to the First Edition |
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Preface to the Third Edition |
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I Theory or System of Presentation? |
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II The Method of Teaching Harmony |
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III Consonance and Dissonance |
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IV The Major Mode and the Diatonic Chords |
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The Diatonic Triads |
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Spacing the Chords |
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Connection of the Diatonic Primary and Secondary Triads |
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Connection of the Diatonic Primary and Secondary Triads in Short Phrases |
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The VIIth Degree |
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The Inversions of the Triads |
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The Sixth Chord |
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Parallel Octaves and Fifths |
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Connection of the Triads with the Sixth Chords, the Sixth Chords with the Triads and the Sixth Chords with One Another |
| -- |
The Six-Four Chord |
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Seventh Chords |
| -- |
Inversions of the Seventh Chords |
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Connection of Seventh Chords with One Another |
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V The Minor Mode |
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The Diatonic Triads in Minor |
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Inversion of the Triads in Minor |
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Seventh Chords and their Inversions in Minor |
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VI Connection of Chords That Have No Common Tone (Harmonisches Band) |
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VII Some Directions for Obtaining Better Progressions; Concerning Melodic Conduct of The Two Outer Voices; Then Concerning Closes, Cadences, Deceptive Cadences, and the Six-Four Chord in the Cadence |
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Guidelines for using the Means so far Introduced |
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Closes and Cadences |
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Deceptive Cadences |
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The Six-Four Chord in the Cadence |
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VIII Freer Treatment of VII in Major and Minor |
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IX Modulation |
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X Secondary Dominants and Other Non-Diatonic Chords Derived From the Church Modes |
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Guidelines |
| -- |
Concerning the Diminished Seventh Chord |
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Guidelines for the Use of the Diminished Seventh Chord |
| -- |
XI Rhythm (Takt) and Harmony |
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XII Modulatons: Continuation |
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To the Third and Fourth Circles Upward |
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To the Third and Fourth Circles Downward |
| -- |
XIII Relationship to the Minor Sub-Dominant |
| -- |
Guidelines |
| -- |
XIV At the Frontiers of Tonality |
| -- |
The Augmented Triad |
| -- |
Augmented Six-Five, Four-Three, Two, and Sixth Chords, and Some Other Vagrant Chords |
| -- |
XV Modulation to the IInd, Vth, and VIth Circles of Fifths, to the VIIth and VIIIth, and Also to More Closely Related Circles By Segments and Through Intermediate Keys |
| -- |
Fifth and Sixth Circles of Fifths |
| -- |
XVI Chorale Harmonization |
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Cadences (Schlusse) |
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XVII `Non-Harmonic' Tones |
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Suspension, Double Suspension, et cetera, Passing Tones, Changing Tones, Anticipations |
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XVIII A Few Remarks Concerning Ninth Chords |
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XIX Some Additions and Schematic Presentations to Round Out the System |
| -- |
Alterations of Triads, Seventh Chords, and Ninth Chords |
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Abbreviation of Set Patterns Through Omission of Intermediate Steps |
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Triads Connected with All Other Triads and Seventh Chords; also, All Seventh Chords with One Another |
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Some Other Details: Possibilities of the Ascending Seventh; Basses for the Diminished Seventh Chord; a Chord of Mozart; an Eight-Part Chord |
| -- |
Additional Schemes for Modulating |
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Some Additional Details |
| -- |
Concerning Fluctuating and Suspended Tonality |
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The Chromatic Scale as a Basis for Tonality |
| -- |
XX The Whole-Tone Scale and Related Five and Six-Part Chords |
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XXI Chords Constructed in Fourths |
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XXII Aesthetic Evaluation of Chords With Six or More Tones |
| -- |
Appendix |
| -- |
Topical Index |
| -- |
Index of Names |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Harmony |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Carter, Roy E., |
| Relator term |
|
|
|---|
| Personal name |
Frisch, Walter, |
| Dates associated with a name |
1951- |
| Relator term |
|
| 900 ## - EQUIVALENCE OR CROSS-REFERENCE-PERSONAL NAME [LOCAL, CANADA] |
|---|
| Personal Name |
31191 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Kitap |
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