MARC ayrıntıları
| 000 -LEADER |
|---|
| fixed length control field |
03198cam a2200301 i 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
150125s2007 nyum a001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2006050659 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780195313710 |
|
|---|
| International Standard Book Number |
0195313712 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Modifying agency |
BAKER |
| -- |
BTCTA |
| -- |
UKM |
| -- |
C#P |
| -- |
YDXCP |
| -- |
TXI |
| -- |
MUU |
| -- |
OKN |
| -- |
BAUN |
| Description conventions |
rda |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
BAUN_MERKEZ |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
ML240.3 |
| Item number |
.G54 2007 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Gjerdingen, Robert O. |
| 9 (RLIN) |
30 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Music in the galant style / |
| Statement of responsibility, etc |
Robert O. Gjerdingen. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Oxford University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2007. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
ix, 514 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
29 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
volume |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Includes index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
-- The romanesca |
| -- |
-- The prinner |
| -- |
-- The fonte |
| -- |
-- A Minuet by Giovanni Battista Somis |
| -- |
-- The do-re-mi |
| -- |
-- The monte |
| -- |
-- A Theme and variations by Carl Ditters von Dittersdorf |
| -- |
-- The meyer |
| -- |
-- A Theme and variations by Joseph Haydn |
| -- |
-- Clasulae |
| -- |
-- An Andante by Christoph Willibald Gluck |
| -- |
-- The quiescenza |
| -- |
-- The ponte |
| -- |
-- A Grave sostenuto by Baldassare Galuppi |
| -- |
-- The fenaroli |
| -- |
-- An Allegro by Carl Ditters von Dittersdorf |
| -- |
-- The sol-fa-mi |
| -- |
-- An Andante by Johann Christian Bach |
| -- |
-- The indugio |
| -- |
-- A Cantabile by Simon Leduc |
| -- |
-- A Larghetto by Leonardo Leo |
| -- |
-- An Andantino by Baldassre Galuppi |
| -- |
-- An Andantino affettuoso by Niccolo Jommelli |
| -- |
-- The child Mozart |
| -- |
-- An Allegro by Wolfgang Amadeus Mozart |
| -- |
-- Il filo : a Poco adagio by Joseph Haydn |
| -- |
-- A model Adagio by Johann Joachim Quantz |
| -- |
-- A model Allegro by Francesco Galeazzi |
| -- |
-- Summary and cadenza. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"Music in the Galant Style is the first book to examine the cognitive development of elite eighteenth-century musicians. Hundreds of musical examples from more than seventy composers illustrate the standard patterns that formed a core vocabulary for aspiring galant musicians. These patterns - schemata - provided an aural medium of exchange between a patron and his or her musicians. By providing a known context for most phrases and cadences, the galant schemata helped to foster a music culture in which the patron's public display of taste and discernment was a central feature." "In documenting the link between training in partimenti and the student musician's cognitive development of a repertory of preferred schemata, Music in the Galant Style pioneers a new approach to this centuries-old, but still living music tradition. By analogy to "historically informed" performance practice, the book suggests a new type of historically and cognitively informed music analysis. It offers a new set of tools to explore the very particular sense of musical etiquette that pervaded contemporary discourse on eighteenth-century music and its musicians." "The book will help students, scholars, performers, and all lovers of eighteenth-century music to develop a deeper understanding of eighteenth-century music and to broaden their view of the repertoire."--BOOK JACKET. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Music |
| Geographic subdivision |
Europe |
| Chronological subdivision |
18th century |
| General subdivision |
History and criticism. |
|
|---|
| Topical term or geographic name as entry element |
Style, Musical. |
|
|---|
| Topical term or geographic name as entry element |
Musical analysis. |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| 9 (RLIN) |
111967 |
| Corporate name or jurisdiction name as entry element |
Oxford University Press. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Kitap |
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