MARC ayrıntıları
| 000 -LEADER |
|---|
| fixed length control field |
02759cam a22003734a 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
41055 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
BAUN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20240114201330.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
010123s2001 nyum b a000 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2001086790 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0764154249 |
| Qualifying information |
hardcover |
|
|---|
| International Standard Book Number |
9780764154249 |
| Qualifying information |
hardcover |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)48218034 |
| Canceled/invalid control number |
(OCoLC)48921000 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Modifying agency |
BAKER |
| -- |
BTCTA |
| -- |
YDXCP |
| -- |
JTC |
| -- |
YBM |
| -- |
IG# |
| -- |
OCLCF |
| -- |
OCLCO |
| -- |
OCLCQ |
| -- |
RTM |
| -- |
BAUN |
| Description conventions |
rda |
| 041 1# - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| Language code of original and/or intermediate translations of text |
spa |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
BAUN_MERKEZ |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
NB1280 |
| Item number |
.S32 2001 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Edition number |
21 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Camí. |
| 240 10 - UNIFORM TITLE |
|---|
| Uniform title |
Escultura en piedra. |
| Language of a work |
English. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Sculpture in stone / |
| Statement of responsibility, etc |
Camí, Santamera. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Hauppauge, NY : |
| Name of producer, publisher, distributor, manufacturer |
Barron's, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2001. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
192 pages : |
| Other physical details |
color illustrations ; |
| Dimensions |
31 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
unmediated |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
volume |
| Source |
rdacarrier. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
In praise of stone |
| -- |
--History |
| -- |
--In the shelter of rock |
| -- |
--The spread of Talismans |
| -- |
--Written in stone |
| -- |
--Granite empires |
| -- |
--Your glance turned to stone |
| -- |
--The cold embrace of marble |
| -- |
--Culture and ritual |
| -- |
--The marble polis |
| -- |
--The Pórtico de la Gloria |
| -- |
--The Gothic smile |
| -- |
--Al'antica |
| -- |
--But is it moving? |
| -- |
--New openings |
| -- |
--Sculpture over time |
| -- |
--Stone |
| -- |
--Tu est Peltrus |
| -- |
--Every stone, a world |
| -- |
--The life cycle of stone |
| -- |
--Carving the earth's crust |
| -- |
--Stones |
| -- |
--Marble |
| -- |
--Granite and other very hard stones |
| -- |
--Stones from around the world |
| -- |
--The workshop |
| -- |
--The sculptor's studio |
| -- |
--Material for the studio |
| -- |
--Workshops |
| -- |
--Tools for roughing out and measuring |
| -- |
--Carving tools |
| -- |
--Finishing tools |
| -- |
--Industrial machinery |
| -- |
--The project |
| -- |
--The philosopher's stone? |
| -- |
--Inspiration in gestures |
| -- |
--Free forms |
| -- |
--The outline |
| -- |
--The Maquette |
| -- |
--Monumental projects |
| -- |
--Sculptors, practitioners, and patrons |
| -- |
--Direct carving |
| -- |
--Preliminary activities |
| -- |
--Becoming familiar with the tools |
| -- |
--The complexity of reliefs |
| -- |
--The first steps |
| -- |
--Mastering volumes |
| -- |
--Roughing out |
| -- |
--Modeling |
| -- |
--Customized textures |
| -- |
--Carving as a trade |
| -- |
--Industry as a resource |
| -- |
--The power of the block |
| -- |
--Enlarging by templates |
| -- |
--Enlarging by squares |
| -- |
--Systems of reproduction |
| -- |
--Using a pointing machine |
| -- |
--The three-compass technique |
| -- |
--Touches of color |
| -- |
--Investigating other materials |
| -- |
--Sculpture, architecture, and urban planning |
| -- |
--Step by step |
| -- |
--Direct carving |
| -- |
--Carving by templates |
| -- |
--Enlarging by squares |
| -- |
--Copying by points |
| -- |
--Enlarging by compasses |
| -- |
--Large-scale sculptures, enlarging by templates |
| -- |
--Large-scale sculptures, enlarging by squares. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Stone carving. |
|
|---|
| Topical term or geographic name as entry element |
Sculpture |
| General subdivision |
Technique. |
|
|---|
| Topical term or geographic name as entry element |
Sculpture. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Santamera. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Kitap |
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