MARC ayrıntıları
| 000 -LEADER |
| fixed length control field |
04911cam a2200349Ii 4500 |
| 001 - CONTROL NUMBER |
| control field |
41443 |
| 003 - CONTROL NUMBER IDENTIFIER |
| control field |
BAUN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
| control field |
20240114201330.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
| fixed length control field |
130306t20132013caum a001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
| LC control number |
2013474235 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
9780321918680 |
| Qualifying information |
pbk. |
|
| International Standard Book Number |
0321918681 |
| Qualifying information |
pbk. |
| 035 ## - SYSTEM CONTROL NUMBER |
| System control number |
(OCoLC)830350523 |
| 040 ## - CATALOGING SOURCE |
| Original cataloging agency |
UKMGB |
| Language of cataloging |
eng |
| Transcribing agency |
UKMGB |
| Modifying agency |
OCLCO |
| -- |
YDXCP |
| -- |
SINLB |
| -- |
EYM |
| -- |
UBY |
| -- |
LMR |
| -- |
DLC |
| -- |
BAUN |
| -- |
WKM |
| -- |
UWT |
| -- |
OCLCF |
| -- |
UWT |
| -- |
MEAUC |
| -- |
OCLCO |
| -- |
WB9GB |
| -- |
OSS |
| Description conventions |
rda |
| 049 ## - LOCAL HOLDINGS (OCLC) |
| Holding library |
BAUN_MERKEZ |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER |
| Classification number |
NC590 |
| Item number |
.J363 2013 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
| Personal name |
Janda, Michael, |
| 245 10 - TITLE STATEMENT |
| Title |
Burn your portfolio : |
| Remainder of title |
stuff they don't teach you in design school, but should / |
| Statement of responsibility, etc |
Michael Janda. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Place of production, publication, distribution, manufacture |
[San Francisco, Calif.] : |
| Name of producer, publisher, distributor, manufacturer |
New Riders, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2013] |
|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2013. |
| 300 ## - PHYSICAL DESCRIPTION |
| Extent |
xxii, 375 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
23 cm. |
| 336 ## - CONTENT TYPE |
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
| Media Type Term |
unmediated |
| Media Type Code |
unmediated |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
| Carrier Type Term |
volume |
| Carrier Type Code |
volume |
| Source |
rdacarrier. |
| 500 ## - GENERAL NOTE |
| General note |
Includes index. |
| 505 0# - FORMATTED CONTENTS NOTE |
| Title |
INTRODUCTION |
| -- |
--Burn your portfolio...really? |
| -- |
--Acknowledgments |
| -- |
--HUMAN ENGINEERING |
| -- |
--The big fat secret |
| -- |
--The extra mile |
| -- |
--Soak up advice |
| -- |
--You are not your work |
| -- |
--Be nice to everyone |
| -- |
--Drama is for soap operas |
| -- |
--No more flying solo |
| -- |
--Gripes go up |
| -- |
--The stress bucket |
| -- |
--Two types of grandpas |
| -- |
--Be a wall painter |
| -- |
--Every position can be electrifying |
| -- |
--Lead or be led |
| -- |
--Half the victory |
| -- |
--The value of downtime |
| -- |
--I'm not a writer |
| -- |
--Toot your own horn |
| -- |
--Don't work in a vacuum |
| -- |
--The graphic design megazord |
| -- |
--Live as a team, die as a team |
| -- |
--Everyone does something better than you |
| -- |
--You are responsible for your own time |
| -- |
--ART SMARTS |
| -- |
--OCD is an attitude |
| -- |
--Polishing turds |
| -- |
--Hairy moles |
| -- |
--This is not verbatimville |
| -- |
--Shock and awe |
| -- |
--Art is meant to be framed |
| -- |
--It is never to late for a better idea |
| -- |
--Filler failures |
| -- |
--A river runs through it |
| -- |
--Comps or comprehensive? |
| -- |
--Design like the wind |
| -- |
--Type fast |
| -- |
--How to eat an elephant |
| -- |
--The Venus initiative |
| -- |
--Process-a-palooza |
| -- |
--Hiking your way to successful projects |
| -- |
--Solving end-of-day rush |
| -- |
--Why projects blow up |
| -- |
--The lo-fi PDA |
| -- |
--Bring out your dead |
| -- |
--Shake the bushes or get bit |
| -- |
--Red flags and extinguishers |
| -- |
--Brainstorms are 90 percent bad ideas |
| -- |
--The communal Brain |
| -- |
--TWO EARS, ONE MOUTH |
| -- |
--The ultimate email formula |
| -- |
--Beware the red dot |
| -- |
--Email black holes |
| -- |
--Even the Lone Ranger had Tonto |
| -- |
--Canned communication |
| -- |
--Tin can phones |
| -- |
--Vicious vernacular |
| -- |
--An army of support |
| -- |
--Friendly updates |
| -- |
--Deadline ballet |
| -- |
--Big brother |
| -- |
--The domino effect |
| -- |
--Avoid the W.W.W. |
| -- |
--Be afraid to click "send" |
| -- |
--The tragedy of time zones |
| -- |
--HAPPY HEAD HONCHOS |
| -- |
--Designers are from Mars, clients are from Venus |
| -- |
--Let your client leave their mark |
| -- |
--"Forgiveness" points -- |
|
| Title |
Let your client be the 800-pound gorilla |
| -- |
--Do your genealogy |
| -- |
--Never give your client homework |
| -- |
--Assume that people are clueless |
| -- |
--Long-term relationship value vs. single transaction profit |
| -- |
--Oddities at the start mean oddities at the end |
| -- |
--Don't be the desperate girlfriend |
| -- |
--Stand in manure, smell like manure |
| -- |
--Never fire a client? |
| -- |
--"We decided to go another direction" means "you suck" |
| -- |
--There are such things as stupid questions |
| -- |
--You can't get mad at math |
| -- |
--You have 65 seconds to land a job |
| -- |
--How to ask for a raise without asking for a raise |
| -- |
--MIND YOUR BUSINESS |
| -- |
--Do what you love; the money will follow |
| -- |
--A business that looks orderly |
| -- |
--Making cents of it all |
| -- |
--How to calculate a burn rate |
| -- |
--The fixed-bid pricing dartboard |
| -- |
--Beware of line-item pricing |
| -- |
--"No charge" doesn't mean "free" |
| -- |
--How to flush out a budget |
| -- |
--Twenty-piece chicken McNuggets |
| -- |
--Nonprofits for non-profit |
| -- |
--The code of fair practice |
| -- |
--Contractual mumbo jumbo |
| -- |
--"Etcetera" has no business in your business |
| -- |
--You don't have to sign off on this |
| -- |
--B.A.M. lists |
| -- |
--One line that changed everything about collections |
| -- |
--A business is an organism that wants to die |
| -- |
--If I've got a dollar, you've got a dollar, but no partners |
| -- |
--If you want to win the game, you have to know the score |
| -- |
--There is no such thing as a "meet and greet" |
| -- |
--How to make a capabilities presentation |
| -- |
--Floods happen |
| -- |
--Flexibility, not freedom |
| -- |
--Never do undocumented work |
| -- |
--Next worry date |
| -- |
--Nickels and dimes are for lemonade stands |
| -- |
--Only terrorists like hostage situations |
| -- |
--Oh where, oh where has my hundred thousand dollars gone? Oh where, oh where can it be? |
| -- |
--Don't do anything you can pay someone ten dollars per hour to do |
| -- |
--"Skin in the game" usually means "free" |
| -- |
--Three-month "lifetime" guarantee |
| -- |
--"Bring your own boss," whatever that means |
| -- |
--How to bite the bullet |
| -- |
--Index |
| -- |
--About the author. |
| 520 ## - SUMMARY, ETC. |
| Summary, etc |
Offers advice on real-world practices, professional do's and don'ts, and business rules for those in the graphic arts. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name as entry element |
Graphic arts |
| General subdivision |
Vocational guidance. |
|
| Topical term or geographic name as entry element |
Commercial art |
| General subdivision |
Vocational guidance. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Kitap |