MARC ayrıntıları
| 000 -LEADER |
| fixed length control field |
02812cam a2200385 i 4500 |
| 001 - CONTROL NUMBER |
| control field |
41464 |
| 003 - CONTROL NUMBER IDENTIFIER |
| control field |
BAUN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
| control field |
20240114201330.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
| fixed length control field |
130925s2014 ctum b a001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
| LC control number |
2013035606 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
9780300204339 |
| Qualifying information |
cl : alk. paper |
|
| International Standard Book Number |
0300204337 |
| Qualifying information |
cl : alk. paper |
| 035 ## - SYSTEM CONTROL NUMBER |
| System control number |
(OCoLC)859252946 |
| Canceled/invalid control number |
(OCoLC)888072306 |
| 040 ## - CATALOGING SOURCE |
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
YDX |
| -- |
BDX |
| -- |
YDXCP |
| -- |
BTCTA |
| -- |
ERASA |
| -- |
UKMGB |
| -- |
OCLCF |
| -- |
CHVBK |
| -- |
PUL |
| -- |
KMS |
| -- |
STF |
| -- |
DAY |
| 049 ## - LOCAL HOLDINGS (OCLC) |
| Holding library |
BAUN_MERKEZ |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
| Classification number |
Art/ND553.M8 |
| Item number |
C664 2014 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
| Personal name |
Cooke, Peter, |
| Dates associated with a name |
1962- |
| 245 10 - TITLE STATEMENT |
| Title |
Gustave Moreau : |
| Remainder of title |
history painting, spirituality and symbolism / |
| Statement of responsibility, etc |
Peter Cooke. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Place of production, publication, distribution, manufacture |
New Haven : |
| Name of producer, publisher, distributor, manufacturer |
Yale University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2014] |
| 300 ## - PHYSICAL DESCRIPTION |
| Extent |
xi, 252 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
29 cm. |
| 336 ## - CONTENT TYPE |
| Content Type Term |
text |
| Source |
rdacontent. |
| Content Type Code |
txt |
|
| Content Type Term |
still image |
| Source |
rdacontent. |
| Content Type Code |
still image |
| 337 ## - MEDIA TYPE |
| Media Type Term |
unmediated |
| Source |
rdamedia. |
| Media Type Code |
unmediated |
| 338 ## - CARRIER TYPE |
| Carrier Type Term |
volume |
| Source |
rdacarrier. |
| Carrier Type Code |
volume |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
| Bibliography, etc |
Includes bibliographical references (pages 227-240) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
| Title |
--A complex oeuvre |
| -- |
--The reinvention of history painting, 1860-1869 |
| -- |
--Painting against the Republic, 1871-1880 |
| -- |
--The ideal and matter : from Oedipus and the Sphinx to the Dead Lyres |
| -- |
--Working for posterity : the students and the museum. |
| 520 ## - SUMMARY, ETC. |
| Summary, etc |
The French painter Gustave Moreau (1826-1898) strove to renew figure painting by creating an unacademic form of 'epic' art. In this book, Peter Cooke explains how Moreau effectively created pictorial Symbolism through his novel approach to the genre of history painting. In the process, the author examines the artist through a number of his major paintings, his ideology and aesthetic, and in relation to other artists of his time and of the previous generations. The narrative follows Moreau's career from his Neoclassical and academic training through his conversion to Romanticism, his studies in Italy, his experiences as an exhibitor at the Paris Salon, between 1864 and 1880, and his subsequent years as a professor at the Ecole des Beaux-Arts and as the founder of his own museum. By examining Moreau's critical reception, as well as that of his students, the book shows his controversial effect on the art world of his time, during the Second Empire and Third Republic. Drawing on unpublished manuscripts from the Musée Gustave Moreau in Paris, Cooke presents insights into how Moreau's complex and original art reflects his spiritualist ideology, together with his persistent inner obsessions. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
| Personal name |
Moreau, Gustave, |
| Dates associated with a name |
1826-1898 |
| General subdivision |
Criticism and interpretation. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name as entry element |
History painting, French |
| Chronological subdivision |
19th century. |
|
| Topical term or geographic name as entry element |
Spirituality in art. |
|
| Topical term or geographic name as entry element |
Symbolism (Art movement) |
| Geographic subdivision |
France. |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
| 9 (RLIN) |
111452 |
| Corporate name or jurisdiction name as entry element |
Yale University Press |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Kitap |