Balıkesir Üniversitesi
Kütüphane ve Dokümantasyon Daire Başkanlığı

Color codes : (Kayıt no. 38891)

MARC ayrıntıları
000 -LEADER
fixed length control field 03511cam a2200397 a 4500
001 - CONTROL NUMBER
control field 41123
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 940309t19951995paumf b a001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 94009733
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0874516714
Qualifying information alk. paper
International Standard Book Number 9780874516715
Qualifying information alk. paper
International Standard Book Number 0874517427
Qualifying information pbk.
International Standard Book Number 9780874517422
Qualifying information pbk.
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Transcribing agency DLC
Modifying agency CWS
-- UKM
-- BAKER
-- NLGGC
-- BTCTA
-- YDXCP
-- NLF
-- CPE
-- UBC
-- KSU
-- UtOrBLW
-- BAUN
Description conventions rda
049 ## - LOCAL HOLDINGS (OCLC)
Holding library BAUN_MERKEZ
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number NX650.C676
Item number R56 1995
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Edition number 20
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Riley, Charles A.
245 10 - TITLE STATEMENT
Title Color codes :
Remainder of title modern theories of color in philosophy, painting and architecture, literature, music, and psychology /
Statement of responsibility, etc Charles A. Riley II.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Hanover :
Name of producer, publisher, distributor, manufacturer University Press of New England,
Date of production, publication, distribution, manufacture, or copyright notice [1995]
Date of production, publication, distribution, manufacture, or copyright notice ©1995.
300 ## - PHYSICAL DESCRIPTION
Extent xi, 351 pages, 8 unnumbered pages of plates :
Other physical details color illustrations ;
Dimensions 24 cm.
336 ## - CONTENT TYPE
Content Type Term text
Content Type Code txt
Source rdacontent.
337 ## - MEDIA TYPE
Media Type Term unmediated
Media Type Code unmediated
Source rdamedia.
338 ## - CARRIER TYPE
Carrier Type Term volume
Carrier Type Code volume
Source rdacarrier.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references (pages [339]-342) and index.
505 0# - FORMATTED CONTENTS NOTE
Title Introduction: The palette and the table
-- --Color in philosophy. Kant
-- Goethe
-- Hegel
-- Wittgenstein
-- Jonathan Westphal
-- P.M.S. Hacker
-- C.L. Hardin
-- Spengler
-- Adorno
-- Barthes
-- Derrida
-- --Color in painting and architecture. Painting: Monet
-- Denis
-- Degas
-- Whistler
-- van Gogh
-- Gaugin
-- Cezanne
-- Robert and Sonia Delaunay
-- Morgan Russell and Stanton Macdonald-Wright
-- Matisse
-- Kandinsky
-- Albers
-- Hofmann
-- Avery
-- Rothko
-- Louis
-- O'Keeffe
-- Newman
-- Stella
-- Lictenstein
-- Halley
-- Ryman
-- Mark Milloff
-- Nancy Haynes
-- Jaime Franco
-- Charles Clough. Architecture: Le Courbusier
-- Graves
-- Stirling
-- --Color in literature. Gide
-- Proust
-- Joyce
-- Trakl
-- H.D.
-- Stevens
-- Hollander
-- Pynchon
-- A.S. Byatt
-- --Color in music. Wagner
-- Stockhausen
-- Schoenberg ;
Title Messiaen
-- Slawson
-- --Color in psychology. Kohler
-- Arnheim
-- Freud
-- Jung
-- Contemporary issues in color psychology
-- Oliver Sachs.
520 ## - SUMMARY, ETC.
Summary, etc Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Color in art.
Topical term or geographic name as entry element Arts.
Topical term or geographic name as entry element Color (Philosophy)
Topical term or geographic name as entry element Color
General subdivision Psychological aspects.
710 2# - ADDED ENTRY--CORPORATE NAME
9 (RLIN) 112834
Corporate name or jurisdiction name as entry element University Press of New England
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Kitap
Mevcut
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Inventory number Total Checkouts Total Renewals Full call number Barcode Date last seen Date checked out Price effective from Koha item type
    Library of Congress Classification     Non-fiction Mehmet Akif Ersoy Merkez Kütüphanesi Mehmet Akif Ersoy Merkez Kütüphanesi Genel Koleksiyon 27/10/2016 Satın Alma 80.84 255.07.02.01.06- 2 2 NX650.C676 R56 1995 041123 16/01/2020 02/12/2019 27/10/2016 Kitap
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