MARC ayrıntıları
| 000 -LEADER |
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| fixed length control field |
04617cam a2200373 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
41192 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
BAUN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240114201333.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
090305s2010 nyum a001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2009009647 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780823099276 |
| Qualifying information |
hbk. |
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| International Standard Book Number |
082309927X |
| Qualifying information |
hbk. |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)316098779 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Modifying agency |
YDX |
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BTCTA |
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YDXCP |
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UKM |
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OCO |
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MOF |
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BWX |
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YBM |
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CDX |
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VP@ |
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MNW |
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CRH |
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BDX |
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OCLCF |
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P4I |
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OCLCQ |
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BAUN |
| Description conventions |
rda |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
BAUN_MERKEZ |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ND1302 |
| Item number |
.B76 2010 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Brooker, Suzanne. |
| 245 10 - TITLE STATEMENT |
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| Title |
Portrait painting atelier : |
| Remainder of title |
old master techniques and contemporary applications / |
| Statement of responsibility, etc |
Suzanne Brooker ; foreword by Domenic Cretara. |
| 246 30 - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Old master techniques and contemporary applications. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Watson-Guptill Publications, |
| Date of production, publication, distribution, manufacture, or copyright notice |
©2010. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
208 pages : |
| Other physical details |
illustrations (some color) ; |
| Dimensions |
29 cm. |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent. |
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| Content Type Term |
still image |
| Content Type Code |
still image |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
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| Media Type Term |
unmediated |
| Media Type Code |
unmediated |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
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| Carrier Type Term |
volume |
| Carrier Type Code |
volume |
| Source |
rdacarrier. |
| 500 ## - GENERAL NOTE |
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| General note |
Includes index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Title |
Foreword / |
| Statement of responsibility |
Domenic Cretara |
| Title |
--Introduction: Thinking as a painter |
| -- |
--1. Studio practices |
| -- |
--Using your materials safely |
| -- |
--Caring for your brushes |
| -- |
--Preparing your paint surface |
| -- |
--Organizing your palette |
| -- |
--Evaluating the nature of pigments |
| -- |
--2. Color strategies and color mixing |
| -- |
--Maximizing your use of color contrasts |
| -- |
--Exercise: focusing on value, temperature, and neutrals |
| -- |
--Exercise: focusing on flesh tones |
| -- |
--Exercise: focusing on toned grounds |
| -- |
--3. Essential techniques |
| -- |
--Getting the most out of paint mediums |
| -- |
--Internalizing the paint application techniques |
| -- |
--4. Facial anatomy |
| -- |
--Analyzing the basic structure of the skull |
| -- |
--Learning to see planar structures and values |
| -- |
--Shading the curving form of the head |
| -- |
--Studying the three axes of the head |
| -- |
--Mastering perspective |
| -- |
--Mapping the key relationships of the features |
| -- |
--Capturing gesture and expression |
| -- |
--Examining and executing facial features |
| -- |
--5. The painting process |
| -- |
--Selecting a toned ground |
| -- |
--Blocking in the image |
| -- |
--Establishing the underpainting |
| -- |
--Building the painting from dark to light |
| -- |
--6. Demonstration paintings |
| -- |
--Keeping the process in focus |
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--Bryson with kite |
| -- |
--Cederic |
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--Cheryl |
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--Sarah |
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--Marion |
| -- |
--Pigeon |
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--Michael |
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--Afterword: Troubleshooting common problems. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters' technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of pre-eminent masters such as Millet, G��ricault, and van Gogh, as well as some of today's leading portrait artists--and featuring seven detailed step-by-step portrait demonstrations--Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Portrait painting |
| General subdivision |
Technique. |
| 856 42 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
http://catdir.loc.gov/catdir/enhancements/fy1011/2009009647-b.html |
| Public note |
Contributor biographical information |
|
|---|
| Uniform Resource Identifier |
http://catdir.loc.gov/catdir/enhancements/fy1011/2009009647-d.html |
| Public note |
Publisher description |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Kitap |
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