MARC ayrıntıları
| 000 -LEADER |
|---|
| fixed length control field |
03871cam a22003017i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
44155 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
130911s2014 caua bq 000 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2013033458 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781615931699 |
| Qualifying information |
(paperback) |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Description conventions |
rda |
| Modifying agency |
BAUN |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
BAUN_MERKEZ |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN1995.9.P7 |
| Item number |
B3243 2014 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Bays, Jeffrey Michael, |
| Dates associated with a name |
1977- |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Between the scenes : |
| Remainder of title |
what every film director, writer, and editor should know about scene transitions / |
| Statement of responsibility, etc |
Jeffrey Michael Bays. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Studio City, CA : |
| Name of producer, publisher, distributor, manufacturer |
Michael Wiese Productions, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2014] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xiv, 137 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
20 x 28 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
text |
| Source |
rdacontent |
| Content Type Code |
txt |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Source |
rdamedia |
| Media Type Code |
unmediated |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Source |
rdacarrier |
| Carrier Type Code |
volume |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (pages 133-135). |
|
|---|
| Bibliography, etc |
Includes filmography. |
| 505 8# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Machine generated contents note: TABLE OF CONTENTS |
| Title |
-- Introduction |
| -- |
-- How To Use This Book |
| -- |
-- Looking at Films in a new Way |
| -- |
-- From Instinct to Craft |
| -- |
-- The Hidden Art: Why nobody notices |
| -- |
-- 1. WHAT IS A SCENE TRANSITION? |
| -- |
-- On the Set |
| -- |
-- Anatomy of a Scene Transition |
| -- |
-- Choices at the Transition |
| -- |
-- The Life of a Scene Transition |
| -- |
-- Six Major Transitions |
| -- |
-- Transitions Between Sequences and Scenes |
| -- |
-- Grab your Script |
| -- |
-- 2. CHOOSING LOCATIONS THAT COLLIDE |
| -- |
-- Scenequakes |
| -- |
-- Collision with oppositions |
| -- |
-- Sudden Absence |
| -- |
-- Add More Drama to Boundaries |
| -- |
-- Mental Maps |
| -- |
-- Single Location Films |
| -- |
-- 3. TYING YOUR EVENTS TOGETHER |
| -- |
-- The Train |
| -- |
-- Linking Through Similarity |
| -- |
-- The Wright Wipe |
| -- |
-- The Hook |
| -- |
-- Linking Multiple Plots |
| -- |
-- 4. EMOTIONAL PEAK: CHARACTER ON THE MOVE |
| -- |
-- On the Move |
| -- |
-- Looking at the Script |
| -- |
-- Anatomy of Character at the Scene Change |
| -- |
-- Emotional Ingredients |
| -- |
-- To Show It or not to Show It |
| -- |
-- If It's not in the Script |
| -- |
-- Dialogue in Motion |
| -- |
-- Adding Other Characters |
| -- |
-- 5. EMOTIONAL EBB: SCENERY AND RELIEF |
| -- |
-- Give Them a Break |
| -- |
-- The Cinematic Ebb |
| -- |
-- Variations in Camera Proximity |
| -- |
-- The Audience Thinking and Feeling |
| -- |
-- Connecting to Audience Feeling |
| -- |
-- Uses of Scenery |
| -- |
-- Objects, Motifs, Symbols |
| -- |
-- Other Ways of Relief |
| -- |
-- Storyteller's Attitude |
| -- |
-- 6. MUSIC AND TRANSITIONS |
| -- |
-- Silence |
| -- |
-- Mechanical Uses of Music |
| -- |
-- Telling the Story With Music |
| -- |
-- Variations of Transformation Tactics |
| -- |
-- Using Pre-Recorded Songs |
| -- |
-- The Role of Lyrics |
| -- |
-- 7. PUZZLING THE SCENES TOGETHER |
| -- |
-- Tension and Release |
| -- |
-- Scenes and their Flow |
| -- |
-- Looking at the Script |
| -- |
-- Deleted Scenes |
| -- |
-- Fragmentation and Crescendo |
| -- |
-- Intensity of Transitions |
| -- |
-- Types of Transitional Scenes |
| -- |
-- Bridging Them All Together |
| -- |
-- 8. THE TIME MACHINE |
| -- |
-- Storytelling is Abbreviation |
| -- |
-- Ways to Show Time Manipulation |
| -- |
-- Transitional Editing Speed |
| -- |
-- Other Time Styles |
| -- |
-- When not to Show Time |
| -- |
-- Gestalt's Cousin |
| -- |
-- 9. CASE STUDY: RIDLEY SCOTT'S GLADIATOR |
| -- |
-- The Longest Transition Ever |
| -- |
-- Maximus Escapes Execution |
| -- |
-- Sleeping Through the Night |
| -- |
-- Crosscutting To Family's Murder |
| -- |
-- The Big reaction |
| -- |
-- Carried to Zucchabar |
| -- |
-- 10. TELEVISION VS. FEATURE FILM TRANSITIONS |
| -- |
-- Film and TV Differences |
| -- |
-- Commercial Breaks |
| -- |
-- Multiple Plots |
| -- |
-- The Future of Storytelling. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"Between the Scenes delivers a fresh approach to film directing, screenwriting, and editing. once you've got your scenes planned out, this book steps in by shifting your focus to how your individual sequences and scenes connect to each other. you'll find new ways to create emotional feelings in your audience. From location choices, to character movement between scenes, to the use of music, scene transitions are where the meat is in your story, and now you'll discover a new pallet of creative possibilities. "-- |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Motion pictures |
| General subdivision |
Production and direction. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Kitap |
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