Balıkesir Üniversitesi
Kütüphane ve Dokümantasyon Daire Başkanlığı

Seeing ourselves : (Kayıt no. 43183)

MARC ayrıntıları
000 -LEADER
fixed length control field 03099cam a22004457i 4500
001 - CONTROL NUMBER
control field 44236
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 151002t20162016enka e b 001 0 eng c
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2015953619
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780500239469
Qualifying information hardback
International Standard Book Number 0500239460
Qualifying information hardback
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)ocn948183270
040 ## - CATALOGING SOURCE
Original cataloging agency Nz
Language of cataloging eng
Transcribing agency NZWHC
Description conventions rda
Modifying agency OCLCO
-- OCLCQ
-- UAB
-- OCLCO
-- OSU
-- OCLCF
-- OCLCO
-- ERASA
-- BDX
-- YDXCP
-- CDX
-- OQX
-- CHVBK
-- OCLCO
-- UX0
-- CNNGC
-- OCLCO
-- VP@
-- DLC
-- BAUN
049 ## - LOCAL HOLDINGS (OCLC)
Holding library BAUN_MERKEZ
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N71
Item number .B673 2016
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Borzello, Frances,
245 10 - TITLE STATEMENT
Title Seeing ourselves :
Remainder of title women's self-portraits /
Statement of responsibility, etc Frances Borzello.
250 ## - EDITION STATEMENT
Edition statement Updated and revised edition.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Thames & Hudson,
Date of production, publication, distribution, manufacture, or copyright notice 2016.
Date of production, publication, distribution, manufacture, or copyright notice ©2016
300 ## - PHYSICAL DESCRIPTION
Extent 271 pages :
Other physical details illustrations (some color) ;
Dimensions 24 cm
336 ## - CONTENT TYPE
Content Type Term text
Content Type Code txt
Source rdacontent
Content Type Term still image
Content Type Code still image
Source rdacontent
337 ## - MEDIA TYPE
Media Type Term unmediated
Media Type Code unmediated
Source rdamedia
338 ## - CARRIER TYPE
Carrier Type Term volume
Carrier Type Code volume
Source rdacarrier
500 ## - GENERAL NOTE
General note Originally published : London : Thames and Hudson, 1998.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references and index.
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Machine generated contents note:
Miscellaneous information 1.
Title Sixteenth Century --
-- In the beginning --
Miscellaneous information 2.
Title Seventeenth Century --
-- new self-confidence --
Miscellaneous information 3.
Title Eighteenth Century --
-- Professionals and amateurs --
Miscellaneous information 4.
Title Nineteenth Century --
-- opening door --
Miscellaneous information 5.
Title Twentieth Century --
-- Breaking taboos --
Miscellaneous information 6.
Title Into the Future --
-- feminist impact.
520 8# - SUMMARY, ETC.
Summary, etc This richly diverse exploration of female artists and self-portraits is a brilliant and poignant demonstration of originality in works of haunting variety. The two earliest self-portraits come from 12th-century illuminated manuscripts in which nuns gaze at us across eight centuries. In 16th-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, spanning adolescence to old age. In 17th-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the 18th century, artists from Elisabeth Vigee-Lebrun to Angelica Kauffman express both passion for their craft and the idea of femininity; and in the 19th the salons and art schools at last open their doors to a host of talented women artists, including Berthe Morisot, ushering in a new and resonant self-confidence. The modern period demolishes taboos: Alice Neel painting herself nude at eighty, Frida Kahlo rendering physical pain, Cindy Sherman exploring identity, Marlene Dumas dispensing with all boundaries. The full verve of Frances Borzello's enthralling text, and the hypnotic intensity of the accompanying self-portraits, is revealed to the full in a completely revised edition of this inspiring book.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Women artists.
Topical term or geographic name as entry element Women artists
General subdivision Psychology.
Topical term or geographic name as entry element Women artists
General subdivision Portraits.
Topical term or geographic name as entry element Self-perception in women.
Topical term or geographic name as entry element Self-portraits.
Topical term or geographic name as entry element Femmes artistes.
Topical term or geographic name as entry element Femmes artistes
General subdivision Psychologie.
Topical term or geographic name as entry element Femmes artistes
Form subdivision Portraits.
Topical term or geographic name as entry element Perception de soi chez la femme.
Topical term or geographic name as entry element Autoportraits.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Kitap
Mevcut
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Inventory number Total Checkouts Total Renewals Full call number Barcode Date last seen Date checked out Price effective from Koha item type
    Library of Congress Classification     Non-fiction Mehmet Akif Ersoy Merkez Kütüphanesi Mehmet Akif Ersoy Merkez Kütüphanesi Genel Koleksiyon 24/11/2017 Satın Alma 106.02 255.07.02.01.06- 5 3 N71 .B673 2016 044236 03/12/2024 17/10/2024 24/11/2017 Kitap
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