Balıkesir Üniversitesi
Kütüphane ve Dokümantasyon Daire Başkanlığı

Latinx art : (Kayıt no. 94134)

MARC ayrıntıları
000 -LEADER
fixed length control field 05744nam a2200457 i 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250729092413.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200309t20202020ncumf b a001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2019053175
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781478008569
Qualifying information hardcover
International Standard Book Number 1478008563
Qualifying information hardcover
International Standard Book Number 9781478009450
Qualifying information paperback
International Standard Book Number 1478009454
Qualifying information paperback
Cancelled/invalid ISBN 9781478008859
Qualifying information electronic book
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1121604281
Canceled/invalid control number (OCoLC)1121285159
-- (OCoLC)1121294661
-- (OCoLC)1157059648
-- (OCoLC)1193018607
-- (OCoLC)1225641118
040 ## - CATALOGING SOURCE
Original cataloging agency NcD/DLC
Language of cataloging eng
Transcribing agency DLC
Modifying agency OCLCF
-- OCLCO
-- YDX
-- GZN
-- CTU
-- CAD
-- PUL
-- UtOrBLW
-- BAUN
Description conventions rda
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title eng
042 ## - AUTHENTICATION CODE
Authentication code pcc
049 ## - LOCAL HOLDINGS (OCLC)
Holding library BAUN_MERKEZ
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N6538.L3
Item number D38 2020
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Dávila, Arlene M.,
Dates associated with a name 1965-
Relator term Author
9 (RLIN) 121866
245 10 - TITLE STATEMENT
Title Latinx art :
Remainder of title artists, markets, politics /
Statement of responsibility, etc Arlene Dávila.
246 30 - VARYING FORM OF TITLE
Title proper/short title Artists, markets, politics.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Durham :
Name of producer, publisher, distributor, manufacturer Duke University Press,
Date of production, publication, distribution, manufacture, or copyright notice 2020.
Date of production, publication, distribution, manufacture, or copyright notice ©2020.
300 ## - PHYSICAL DESCRIPTION
Extent x, 234 pages, 16 unnumbered pages of plates :
Other physical details illustrations (chiefly color) ;
Dimensions 23 cm.
336 ## - CONTENT TYPE
Content Type Term text
Content Type Code txt
Source rdacontent
337 ## - MEDIA TYPE
Media Type Term unmediated
Media Type Code unmediated
Source rdamedia
338 ## - CARRIER TYPE
Carrier Type Term volume
Carrier Type Code volume
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references (pages 193-221) and index.
505 00 - FORMATTED CONTENTS NOTE
Title Introduction: Making Latinx art
-- -- What is Latinx art? : Lessons from Chicanx and diasporican artists
-- -- Exhibiting Latinx art : on critics, curators, and going "beyond the formula"
-- -- Nationalism and the currency of categories
-- -- On markets and the need for cheerleaders
-- -- Whitewashing at work, and some ways out
-- -- Conclusion: At the vanguard of arts and museum activism in the twenty-first century
-- -- Appendix A: Noncomplete list of artists everyone should know
-- -- Appendix B: Additional resources.
520 ## - SUMMARY, ETC.
Summary, etc "The last two decades have seen an expanded version of the art world, both in terms of the commercial sphere of contemporary art galleries and collectors and also in terms of museum exhibitions. Art beyond that produced by European and North American artists, almost entirely male and white, is getting long overdue attention, from South Asian modernism to major African American solo retrospectives. While Latin American art has benefited from this attention, Latinx art has largely been overlooked. In Latinx Art anthropologist and critic Arlene Dávila explores why. She argues that Latinx art is neglected for reasons of race and class by Latin American art institutions, with their largely wealthy and white-identified patrons aspiring to be seen like Europeans on the world stage, rather than confused with Latinx artists whom they see as too poor or insufficiently white. In the US, reparative efforts have focused more along the perceived Black/White binary, and curators are happier engaging the formal experiments of Latin American artists rather than dealing with the political issues raised by Latinx artists in their own country. Efforts that start as centers for Latinx communities, like El Museo del Barrio in New York, have brought in elite curators from Mexico, whose ambitions are quite different from the communities that founded the centers. Dávila interviews artists, gallerists, and curators, identifying the problem and what needs to be done. The book takes the form of a long essay over five chapters and the introduction, with the ethnographic reporting integrated into the overall argument. Chapter 1 draws out the implicitly raced and classed way that Latinx art is seen, including by curators from Latin America. Even Puerto Rican artists distance themselves from Nuyorican artists, with the exception of those most identified with the island. Here and in the succeeding chapters, Dávila points out the role of the national and the national aspirational, and the way Latinx artists are marginalized both within the US and by their nation of origin or descent. Chapter 4 looks at the lack of gallery representation and undervaluing of even major Latinx artists, along with the additional challenges for artists who are both Black and Latinx. Chapter 5 looks at how galleries present the Latinx artists they do show, including the way artists such as the late Félix González-Torres have their identities whitened as they become commercially successful. In the conclusion Dávila points to the interconnection of collectors, museums, and galleries, and she calls for change. The book hits issues that will make it important to the broad contemporary art readership, as well as to scholars in Latinx studies, art history and theory, anthropology, museum studies, American studies, and critical ethnic studies"--Provided by publisher.
Summary, etc "In Latinx Art Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look at the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world."--back cover.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Art, Latin American
General subdivision Political aspects.
Topical term or geographic name as entry element Museum exhibits
General subdivision Political aspects.
Topical term or geographic name as entry element Hispanic American artists
9 (RLIN) 121868
Topical term or geographic name as entry element Anthropology
General subdivision Political aspects.
Topical term or geographic name as entry element Ethnology
General subdivision Political aspects.
Topical term or geographic name as entry element Cultural policy.
9 (RLIN) 573
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Online version:
Main entry heading Dávila, Arlene M., 1965-
Title Latinx art
Place, publisher, and date of publication Durham : Duke University Press, 2020.
International Standard Book Number 9781478008859
Record control number (DLC) 2019053176.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Kitap
Mevcut
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Source of acquisition Inventory number Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     Non-fiction Mehmet Akif Ersoy Merkez Kütüphanesi Mehmet Akif Ersoy Merkez Kütüphanesi Genel Koleksiyon 17/01/2025 Satın Alma 255.07.02.01.06-   N6538.L3 D38 2020 067705 17/01/2025 17/01/2025 Kitap
Bizi Sosyal Medyada Takip Edin