MARC ayrıntıları
| 000 -LEADER |
| fixed length control field |
04880nam a2200565 i 4500 |
| 001 - CONTROL NUMBER |
| control field |
67776 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
| control field |
20250728144950.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
| fixed length control field |
030123s2003 maum b a001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
| LC control number |
2003042131 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
0262194848 |
| Qualifying information |
(hc. ; |
| -- |
alk. paper) |
|
| International Standard Book Number |
9780262194846 |
| Qualifying information |
(hc. ; |
| -- |
alk. paper) |
|
| International Standard Book Number |
0262693321 |
| Qualifying information |
(paperback) |
|
| International Standard Book Number |
9780262693325 |
| Qualifying information |
(paperback) |
| 035 ## - SYSTEM CONTROL NUMBER |
| System control number |
(OCoLC)51566295 |
| Canceled/invalid control number |
(OCoLC)59288165 |
| -- |
(OCoLC)779144989 |
| -- |
(OCoLC)982694675 |
| -- |
(OCoLC)1008265923 |
| 040 ## - CATALOGING SOURCE |
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Modifying agency |
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BAUN |
| Description conventions |
rda |
| 041 0# - LANGUAGE CODE |
| Language code of text/sound track or separate title |
eng |
| 042 ## - AUTHENTICATION CODE |
| Authentication code |
pcc |
| 049 ## - LOCAL HOLDINGS (OCLC) |
| Holding library |
BAUN_MERKEZ |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
| Classification number |
BF311 |
| Item number |
.S652 2003 |
| 080 ## - UNIVERSAL DECIMAL CLASSIFICATION NUMBER |
| Universal Decimal Classification number |
709.2 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
| Edition number |
22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
| Personal name |
Solso, Robert L., |
| Dates associated with a name |
1933- |
| Relator term |
Author |
| 9 (RLIN) |
96689 |
| 245 14 - TITLE STATEMENT |
| Title |
The psychology of art and the evolution of the conscious brain / |
| Statement of responsibility, etc |
Robert L. Solso. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Place of production, publication, distribution, manufacture |
Cambridge, Mass. : |
| Name of producer, publisher, distributor, manufacturer |
MIT Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2003] |
|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2003 |
| 300 ## - PHYSICAL DESCRIPTION |
| Extent |
xv, 278 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm. |
| 336 ## - CONTENT TYPE |
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
| Media Type Term |
unmediated |
| Media Type Code |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
| Carrier Type Term |
volume |
| Carrier Type Code |
volume |
| Source |
rdacarrier |
| 490 1# - SERIES STATEMENT |
| Series statement |
MIT Press/Bradford Books series in cognitive psychology. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
| Bibliography, etc |
Includes bibliographical references (pages and265-272) and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
| Title |
Introduction : Art ... a tutorial |
| -- |
-- Nativistic perception and directed perception |
| -- |
-- Nativistic perception applied to the Raft |
| -- |
-- Directed perception applied to the Raft |
| -- |
-- Nude descending a staircase numbers 2 |
| -- |
-- Rebound |
| -- |
-- Art meets science |
| -- |
-- 1. Art and the rise of consciousness |
| -- |
-- Changes in science, changes in art |
| -- |
-- Traditional ways of understanding art : psychophysical dualism |
| -- |
-- Art and mind : a unitary view |
| -- |
-- The evolution of art and the consciousness |
| -- |
-- The rise of consciousness as a scientific topic |
| -- |
-- AWAREness : the five facets of consciousness |
| -- |
-- From nucleotides to Newton |
| -- |
-- 2. Art and evolution |
| -- |
-- The "new and improved" brain and technology, art, language, and culture |
| -- |
-- Neanderthals, cro-magnons, and dogs that can't hunt |
| -- |
-- The cognitive "big bang" |
| -- |
-- The cognitive blueprint |
| -- |
-- Environmental and dietary changes |
| -- |
-- Brains and adaptation |
| -- |
-- The evolution of the brain |
| -- |
-- 3. Art and vision |
| -- |
-- Visual AWAREness |
| -- |
-- Seeing the brain and eye : the dynamic properties of vision |
| -- |
-- The eye |
| -- |
-- Beautiful colors |
| -- |
-- From the eye to the brain |
| -- |
-- The visual system and the perception of art |
| -- |
-- 4. Art and the brain |
| -- |
-- The evolution of the consciously AWARE brain |
| -- |
-- The cognitive big bang and the emergence of art |
| -- |
-- What brains do |
| -- |
-- "Raphael's brain" |
| -- |
-- 5. About face |
| -- |
-- Faces are special in art |
| -- |
-- Domain specificity and faces |
| -- |
-- What the portrait artist's brain "sees" |
| -- |
-- The face as a reflection of the "inner person" |
| -- |
-- 6. Illusions : sensory, cognitive, and artistic |
| -- |
-- Sensory illusions : truth or fiction? |
| -- |
-- Cognitive illusions : twisting truth |
| -- |
-- Visual illusions |
| -- |
-- Artistic illusions |
| -- |
-- First-order isomorphism and proto-isomorphism |
| -- |
-- 7. Perspective : the art of illusion |
| -- |
-- Seeing a 3D world with a 2D eye |
| -- |
-- Principles of depth perception : where is it? |
| -- |
-- Recumbent figures : why they are so hard to draw |
| -- |
-- 8. Art and schemata |
| -- |
-- Schemata |
| -- |
-- Visual dissonance |
| -- |
-- Canonic representations |
| -- |
-- Representational art, abstract art |
| -- |
-- A cognitive neuroscience theory of aesthetics. |
| 520 1# - SUMMARY, ETC. |
| Summary, etc |
"How did the human brain evolve so that art and an appreciation of art could develop? In The Psychology of Art and the Evolution of the Conscious Brain, Robert Solso describes how a consciousness that evolved for other purposes perceives and creates art." "Drawing on his earlier book Cognition and the Visual Arts and ten years of new findings in cognitive research (as well as new ideas in anthropology and art history), Solso shows that consciousness developed gradually, with distinct components that evolved adaptively over time. One of these components is an ability to imagine objects that are not present - an ability that allows us to create (and perceive) visual art."--Jacket. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name as entry element |
Consciousness. |
| 9 (RLIN) |
995 |
|
| Topical term or geographic name as entry element |
Cognition. |
| 9 (RLIN) |
79865 |
|
| Topical term or geographic name as entry element |
Brain |
| General subdivision |
Evolution. |
| 9 (RLIN) |
21804 |
|
| Topical term or geographic name as entry element |
Visual perception. |
| 9 (RLIN) |
4397 |
|
| Topical term or geographic name as entry element |
Art |
| General subdivision |
Psychology. |
| 9 (RLIN) |
16191 |
|
| Topical term or geographic name as entry element |
Art. |
| 9 (RLIN) |
3317 |
|
| Topical term or geographic name as entry element |
Evolution (Biology) |
| 9 (RLIN) |
2274 |
|
| Topical term or geographic name as entry element |
Brain. |
| 9 (RLIN) |
302 |
|
| Topical term or geographic name as entry element |
Consciousness |
| 9 (RLIN) |
995 |
|
| Topical term or geographic name as entry element |
Art |
| 9 (RLIN) |
3317 |
|
| Topical term or geographic name as entry element |
Evolution (Biology) |
| 9 (RLIN) |
2274 |
|
| Topical term or geographic name as entry element |
Brain |
| 9 (RLIN) |
302 |
|
| Topical term or geographic name as entry element |
Visual perception |
| 9 (RLIN) |
4397 |
|
| Topical term or geographic name as entry element |
Cognition |
| 9 (RLIN) |
79865 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
| Uniform title |
MIT Press/Bradford Books series in cognitive psychology. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Kitap |