The improvisation of musical dialogue : a phenomenology of music / Bruce Ellis Benson.
Yayıncı: Cambridge ; New York : Cambridge University Press, 2003Tanım: xiv, 200 pages ; 23 cmİçerik türü:- text
- unmediated
- volume
- 0521810930
- 9780521810937
- 0521009324
- 9780521009324
- ML3845 .B358 2003
| Materyal türü | Ana kütüphane | Koleksiyon | Yer numarası | Durum | İade tarihi | Barkod | Materyal Ayırtmaları | |
|---|---|---|---|---|---|---|---|---|
Kitap
|
Mehmet Akif Ersoy Merkez Kütüphanesi Genel Koleksiyon | Non-fiction | ML3845 .B358 2003 (Rafa gözat(Aşağıda açılır)) | Kullanılabilir | 027999 |
Includes bibliographical references and index.
-- Between composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other.
"What takes place when a composer creates a piece of music? To what extent is a performer part of the creative process? Although the dominant paradigm for music making in our era has been that of creation and reproduction - in which composers are the true creators and performers primarily carry out their wishes - does that way of thinking reflect actual musical practice?" "Succinct and lucid, not only will this important book be a provocative read for philosophers of art and musicologists, it should also appeal to general readers, especially those who compose and perform music."--BOOK JACKET.
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