Balıkesir Üniversitesi
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The improvisation of musical dialogue : a phenomenology of music / Bruce Ellis Benson.

Yazar: Katkıda bulunan(lar):Yayıncı: Cambridge ; New York : Cambridge University Press, 2003Tanım: xiv, 200 pages ; 23 cmİçerik türü:
  • text
Ortam türü:
  • unmediated
Taşıyıcı türü:
  • volume
ISBN:
  • 0521810930
  • 9780521810937
  • 0521009324
  • 9780521009324
Konu(lar): LOC sınıflandırması:
  • ML3845 .B358 2003
İçindekiler:
-- Between composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other.
Görüşler: "What takes place when a composer creates a piece of music? To what extent is a performer part of the creative process? Although the dominant paradigm for music making in our era has been that of creation and reproduction - in which composers are the true creators and performers primarily carry out their wishes - does that way of thinking reflect actual musical practice?" "Succinct and lucid, not only will this important book be a provocative read for philosophers of art and musicologists, it should also appeal to general readers, especially those who compose and perform music."--BOOK JACKET.
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Materyal türü Ana kütüphane Koleksiyon Yer numarası Durum İade tarihi Barkod Materyal Ayırtmaları
Kitap Kitap Mehmet Akif Ersoy Merkez Kütüphanesi Genel Koleksiyon Non-fiction ML3845 .B358 2003 (Rafa gözat(Aşağıda açılır)) Kullanılabilir 027999
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Includes bibliographical references and index.

-- Between composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other.

"What takes place when a composer creates a piece of music? To what extent is a performer part of the creative process? Although the dominant paradigm for music making in our era has been that of creation and reproduction - in which composers are the true creators and performers primarily carry out their wishes - does that way of thinking reflect actual musical practice?" "Succinct and lucid, not only will this important book be a provocative read for philosophers of art and musicologists, it should also appeal to general readers, especially those who compose and perform music."--BOOK JACKET.

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