Printmaking revolution : new advancements in technology, safety, and sustainability / Dwight W. Pogue.

Includes bibliographical references and index.

Contents part One Lithography A Brief History of Lithography The Lithography studio for the 21st century Lithography Drawing Materials Bio-etching and Printing Techniques Pin Registration Method Gum Deletion Mask Techniques Air Eraser Deletion Techniques Photolithography Materials Techniques for Making Digital Film Positives Photolithography Techniques Techniques for Making Image Reversals Four-Color Separation Techniques Studio Techniques: Four-Color Printing Rubyred Photolithography Techniques Studio Techniques: Reduction Lithography Digital Direct-to-Plate Techniques Digital-to-Stone Techniques Lithography Printing Materials Lithography best practices part Two INTAGLIO A Brief History of Intaglio The Intaglio Studio for the 21st Century Studio Techniques: A Glimpse into Peter Pettengill's Workshop Electrolysis Etching Techniques Photoetching Techniques Velvetint Techniques Intaglio Techniques that Combine Photoetching with Velvetint Drawing Transfer Techniques Four-Color Separation Techniques Studio Techniques: Four-Color Separation Etching Without Film Intaglio best practices part Three Screenprinting A Brief History of Screenprinting The Screenprinting Studio for the 21st Century Screenprinting Materials and Equipment Screenprinting Image-Making Techniques Studio Techniques: Rubylith Stencils Four-Color Separation Techniques Screenprinting best practices Studio Techniques: Butt Registration Studio Techniques: Color Blends Appendix Notes References Suppliers Index

This text provides the latest never-before-published advancements in the three major printmaking mediums of etching, lithography, and screen-printing. The book demonstrates how to embrace green materials and practices, without sacrificing the quality of fine art prints.