Balıkesir Üniversitesi
Kütüphane ve Dokümantasyon Daire Başkanlığı

Still life before still life / David Ekserdjian.

Yazar: Katkıda bulunan(lar):Yayıncı: New Haven, CT : Yale University Press, 2018Tanım: 256 pages : color illustrations ; 28 cmİçerik türü:
  • text
Ortam türü:
  • unmediated
Taşıyıcı türü:
  • volume
ISBN:
  • 9780300190175
  • 0300190174
Konu(lar): LOC sınıflandırması:
  • ND1390 .E37 2018
İçindekiler:
Flowers -- Fruit -- Food and table tops -- Objects -- Shelves and niches -- Vanitas, armour, and jewellery.
Özet: This book illustrates the simple but important point that artists were fascinated by still life long before the true emergence of 'still-life painting' as an independent genre at the beginning of the seventeenth century. Instead of the genre beginning in the early 17th century, noted scholar David Ekserdjian explores its origins in classical antiquity and the gradual re-emergence of still life in Renaissance painting. The author presents a visual anthology of finely executed flowers, fruit, food, household objects, and furnishings seen in the background of paintings. Paintings are reproduced in full and paired with detailed close-ups of still-life elements within the work. Ekserdjian further examines both the artistic and symbolic significance of a chosen detail, as well as information about each artist's career. Featured works include paintings from Renaissance greats such as Da Vinci, Durer, Holbein, Michelangelo, Raphael, and Van Eyck, as well as the work of less-celebrated masters Barthelemy d'Eyck and Ortolano.
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Materyal türü Ana kütüphane Koleksiyon Yer numarası Durum İade tarihi Barkod Materyal Ayırtmaları
Kitap Kitap Mehmet Akif Ersoy Merkez Kütüphanesi Genel Koleksiyon Non-fiction ND1390 .E37 2018 (Rafa gözat(Aşağıda açılır)) Kullanılabilir 046942
Toplam ayırtılanlar: 0

Includes bibliographical references.

Flowers -- Fruit -- Food and table tops -- Objects -- Shelves and niches -- Vanitas, armour, and jewellery.

This book illustrates the simple but important point that artists were fascinated by still life long before the true emergence of 'still-life painting' as an independent genre at the beginning of the seventeenth century. Instead of the genre beginning in the early 17th century, noted scholar David Ekserdjian explores its origins in classical antiquity and the gradual re-emergence of still life in Renaissance painting. The author presents a visual anthology of finely executed flowers, fruit, food, household objects, and furnishings seen in the background of paintings. Paintings are reproduced in full and paired with detailed close-ups of still-life elements within the work. Ekserdjian further examines both the artistic and symbolic significance of a chosen detail, as well as information about each artist's career. Featured works include paintings from Renaissance greats such as Da Vinci, Durer, Holbein, Michelangelo, Raphael, and Van Eyck, as well as the work of less-celebrated masters Barthelemy d'Eyck and Ortolano.

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