Advanced harmony : theory and practice - Ottman, Robert W (Upper Saddle River, NJ : Prentice Hall, 2000)
-- Modulation -- Diminished triads and seventh chords, including secondary leading-tone functions -- Modulation with diminished seventh chords -- Binary and ternary forms -- Application of part-writing procedures to instrumental music -- Diatonic seventh chords -- Chromatic chords: modal mixture, the Neapolitan sixth, The augmented triad -- Augmented sixth chords -- Augmented sixth chords: modulation and other uses -- Chords of the ninth, the eleventh, and the thirteenth -- Chords and progressions in special situations -- The close of the nineteenth century, the beginning of new directions -- Debussy and Impressionism -- After Debussy: an introduction to twentieth-century music -- Twentieth-century music: melody, rhythm, and harmony -- Serial composition and later twentieth-century practices -- Appendix A: The essentials of part-writing conventional procedures -- Appendix B: Instrumentation ranges, clefs, transposition.
Includes bibliographical references and index
Keywords: Harmony