Musical meaning in Beethoven : markedness, correlation, and interpretation - Hatten, Robert S.; Indiana University. Press (Bloomington, Ind. : Indiana University Press, 2004)
-- Foreword by / David Lidov Preface Introduction Part I. Interpretation and TheoryI. A Case Study for Interpretation The Third Movement of Op. 106 (Hammerklavier) II. Correlation, Interpretation, and the Markedness of Oppositions III. From Topic to Expressive Genre IV. The Pastoral Expressive GenreThe Four Movements of Op. 101 V. The Thematic Level and the Markedness of Classical Material VI. Thematic MarkednessThe First Movements of Op. 130 and Op. 131 VII. Beyond the Hierarchies of CorrelationTroping, Irony, Levels of Discourse, and Intertextuality VIII. Analysis and SynthesisThe Cavatina from Op. 130 IX. From the Aesthetic to me Semiotic X. Further Perspectives on Musical Meaning and Cognition Conclusion Appendix: Abnegation and the New Genre Glossary Notes Bibliography Index of Concepts Index of Names and Works
Originally published: 1994.
Includes bibliographical references and indexes.
Keywords: Beethoven, Ludwig van, -- 1770-1827 -- Criticism and interpretation; Music -- Semiotics