TY  - BOOK
AU  - Droth,Martina
AU  - Edwards,Jason
AU  - Hatt,Michael
AU  - Barringer,T.J.
AU  - Chaire,Désirée de
AU  - Cooke,Edward S.
AU  - Corbeau-Parsons,Caroline
AU  - Hoffman,A.Robin
AU  - Jones,Claire
AU  - Korobkin,Tess
AU  - O'Neill,Morna
AU  - {Ostrok}stermark-Johansen,Lene
AU  - Powell,Jennifer
AU  - Roach,Catherine
AU  - Sullivan,M.G.
AU  - Trusted,Marjorie
AU  - Turner,Sarah Victoria
AU  - Vout,Caroline
ED  - Yale Center for British Art
ED  - Tate Modern (Gallery)
TI  - Sculpture victorious: art in an age of invention, 1837-1901 
SN  - 9780300208030
AV  - Art/NB467 .S39 2014
PY  - 2014///]
CY  - New Haven
PB  - Yale University Press, Yale Center for British Art
KW  - Sculpture, Victorian
KW  - Great Britain
KW  - Exhibitions
KW  - Colonies
KW  - Art and society
KW  - History
KW  - 19th century
KW  - 20th century
N1  - Catalog of the exhibition at the Yale Center for British Art from Sept. 11-Nov. 30, 2014, and at Tate Gallery, London, from Feb. 25-May 25, 2015; Includes bibliographical references and index; Directors' foreword --; Acknowledgments --; Sculpture victorious; Martina Droth, Jason Edwards, Michael Hatt --; Victorian sculpture --; Sculpture and ceremonial --; Sculpture and national history --; Antiquity and the ideal --; Craft and manufacture --; Sculpture and display --; Sculpture and commemoration --; Craft and art
N2  - "Sculpture Victorious highlights the diversity, originality, and ubiquity of sculptural production during the reign of Queen Victoria. This lavishly illustrated book examines how colorful marbles, bronzes, finely wrought silver, and exquisitely detailed electrotypes, as well as gems, cameos, and porcelain, related to and contributed to the contemporary world. In an age of unprecedented territorial expansion, sculpture reflected the power of the British empire; at the same time, increased access to materials and resources facilitated artistic production and innovation. The partnership between art and industry was equally generative and creative, enabling daring explorations of sculpture's possibilities, both political and aesthetic. Bringing to bear a range of materials including statuary, reliefs, models, drawings, and objets d'art, as well as prints, photographs, and paintings, this stunning tome assembles, for the first time, the vibrancy, inventiveness, and modernity of Victorian sculpture. "--
ER  -