TY  - BOOK
AU  - Rhodes,Colin
ED  - Thames and Hudson
TI  - Primitivism and modern art
T2  - World of art
SN  - 0500202761
AV  - Art/N6465.P74 R48 1994
PY  - 1994///
CY  - New York
PB  - Thames and Hudson
KW  - Primitivism in art
KW  - Art, Modern
KW  - 19th century
KW  - 20th century
N1  - Includes bibliographical references (pages 203-206) and index; -- Ch. 1. The Primitive and Primitivism; -- Ch. 2. Primitives Within; -- Ch. 3. Savage Exoticism; -- Ch. 4. Stylistic Primitivism; -- Ch. 5. In Search of the Primordial; -- Epilogue: Primitivism and the Dilemma of Post-Colonialism
N2  - A fascination with the "primitive" lies at the heart of some of the most influential developments in Western art produced between 1890 and 1950 - a time that witnessed both the "heroic" period of modern art and the apogee and decline of the West's colonial power. Many groups have a times been labeled as primitive, including the so-called tribal peoples from Africa, Oceania and North America, but also prehistoric cultures, European peasants, the insane and children. Through the lens of their own society, many modern artists looked both to the art and to the world-view of the primitive as a means of challenging established beliefs, but the primitive to which they turned was as varied as the movements in modern art of which they were a part. Colin Rhodes breaks new ground, drawing on a wide and diverse range of material, from high art to popular entertainment, from Darwin to Freud; the critical overview he presents supersedes all previous studies on the subject
ER  -