TY - BOOK AU - Stanley-Price,Nicholas AU - Talley,Mansfield Kirby AU - Melucco Vaccaro,Alessandra ED - Getty Conservation Institute TI - Historical and philosophical issues in the conservation of cultural heritage T2 - Readings in conservation SN - 0892362502 AV - N8555 .H57 1996 PY - 1996///] CY - Los Angeles PB - Getty Conservation Institute KW - Art KW - Conservation and restoration KW - Architecture N1 - Includes bibliographical references (pages 451-471) and index; -- Contents; Foreword ; Preface ; Note to the Reader ; Pt. I The Eye's Caress: Looking, Appreciation, and Connoisseurship ; 1 The Lamp of Memory, I; / John Ruskin; 2 Aesthetics and History in the Visual Arts; / Bernard Berenson; 3 Art; / Clive Bell; 4 Looking at Pictures; / Kenneth Clark; 5 The History of Art as a Humanistic Discipline; / Erwin Panofsky; 6 The Modern Cult of Monuments: Its Essence and Its Development; / Alois Reigl; 7 Principles of Art History; / Heinrich Wolfflin ; 8 Italian Painters of the Renaissance; / Bernard Berenson; 9 Conversations with Berenson; / Umberto Morra; 10 Fundamental Laws of Sculpture; / John Ruskin; 11 From Light into Paint; / E. H. Gombrich; 12 Of Turnerian Mystery: Secondly, Willful; / John Ruskin; 13 Rudiments of Connoisseurship; / Bernard Berenson; 14 On Art and Connoisseurship; / Max J. Freidlander; 15 Connoisseurship; / John Pope-Hennessy; 16 The Nature of Gothic; / John Ruskin; Pt. II The Original Intent of the Artist ; 17 Art in Transition; / Albert Albano; 18 Crimes against the Cubists; / John Richardson; 19 The Autonomy of Restoration: Ethical Considerations in Relation to Artistic Concepts; / Ernst van de Wetering; Pt. III The Emergence of Modern Conservation Theory ; 20 That Mighty Sculptor, Time; / Marguerite Yourcenar; 21 Restoration from the Perspective of the Humanities; / Paul Philippot; 22 Theory of Restoration, I; / Cesar Brandi; 23 The Integration of the Image: Problems in the Restoration of Monuments; / Giovanni Carbonara; 24 Knowing How to "Question" the Object before Restoring It; / Albert France-Lanord; 25 Introduction to Archaeological Conservation; / Marie Berducou; Pt. IV Historical Perspective ; 26 Historic Preservation: Philosophy, Criteria, Guidelines, I; / Paul Philippot; 27 Degradation, Conservation, and Restoration of Works of Art: Historical Overview; / R. H. Marijnissen; 28 Further Materials for a History of Conservation; / Sheldon Keck; 29 The Surgery of Memory: Ancient Sculpture and Historical Restorations; / Orietta Rossi Pinelli; Pt. V Restoration and Anti-Restoration ; 30 Restoration; / Eugene-Emmanuel Viollet-le-Duc; 31 Manifesto of the Society for the Protection of Ancient Buildings; / William Morris; 32 The Lamp of Memory, II; / John Ruskin; Pt. VI Reintegration of Losses ; 33 On Restorations; / Max J. Friedlander; 34 The Problem of the Integration of Lacunae in the Restoration of Paintings; / Albert Philippot, Paul Philippot; 35 Theory of Restoration, II; / Cesare Brandi; 36 Problems of Presentation; / Paolo Mora, Laura Mora, Paul Philippot; 37 Theory of Restoration and Methodological Unity; / Umberto Baldini; 38 Historic Preservation: Philosophy Criteria, Guidelines, II; / Paul Philippot; Pt. VII The Idea of Patina ; 39 The Idea of Patina and the Cleaning of Paintings; / Paul Philippot; 40 Theory of Restoration, III; / Cesare Brandi; 41 The Cleaning of Pictures in Relation to Patina, Varnish, and Glazes; / Cesare Brandi; 42 A Review of the History and Practice of Patination; / Phoebe Dent Weil; 43 The Surface of Objects and Museum Style; / Ernst van de Wetering; Pt. VIII The Role of Science and Technology ; 44 Scientific Research and the Restoration of Paintings; / Paul Coremans; 45 The Scientist's Role in Historic Preservation with Particular Reference to Stone Conservation; / Giorgio Torraca; 46 The Science and Art of Conservation of Cultural Property; / Giovanni Urbani; Annotated Bibliography ; About the Authors ; Illustration Credits ; Index=520 \\; This is the first comprehensive collection of texts on the conservation of art and architecture to be published in the English language. Designed for students of art history as well as conservation, the book consists of forty-five texts, some never before translated into English and many originally published only in obscure or foreign journals. The thirty major art historians and scholars represented raise questions such as when to restore, what to preserve, and how to maintain aesthetic character ER -