TY - BOOK ED - Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe ED - Trabzon Üniversitesi. ED - International Council for Traditional Music. TI - Music and dance in Southeastern Europe: place, space and resistance: Seventh Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe, 23 April – 25 April 2021 SN - 9786257739016 AV - MT3.T9 S96 2021 PY - 2022/// CY - Trabzon PB - Trabzon Üniversitesi KW - Music KW - Congresses KW - Dance N1 - Includes bibliographical references; Contents; Introduction 5; Themes 6; Symposium report 8; Guest of honour 15; Programme 16; Theme 1 – Dance and music as resistance, integration and separation; Aşkar FÜSUN (Turkey) 20; An aesthetic interference in traditional dance: the example of Trabzon women dances; Berna KURT (Turkey) 28; Gender dramaturgy in Dansöz performance; Gül KAPLAN EKEMEN and Cenker EKEMEN (Turkey) 35; The power of music as a resistance culture on social movements: a case study “Praksis Music Band”; Ivona OPETCHESKA TATARCEVSKA (N. Macedonia) 41; How we went back in time: Music on the protests of “For Common Macedonia” movement; Selda ÖZTÜRK (Turkey) 46; Female voices of war; Nevin ŞAHIN (Turkey) 54; Music publishing as tension: A case study of early 20th century Fasıls; Burcu YILDIZ (Turkey) 59; Sounds of a lost past: Early 78rpm records of Armenians in USA Theme 2 – Performance places and spaces – how these are constructed; Panel introduction: Methodogical approaches for the musical culture and sounding/moving 67; Bengi ÇAKMAK (Turkey) 68; On critical ecology as a methodological approach; Suna BAŞLANTI (Turkey) 76; A sensory ethnography on the soundscape of the eastern Black Sea; Aslı KAYHAN (Turkey) 83; A discussion on the potential of Musical Mapping; Belma OĞUL (Turkey) 88; Dance as an ecosystem and within the ecosystem; Kai ÅBERG (Finland) 96; Balkan “Gypsy dance” – as a one marker for global Romani identity; Ventsislav DIMOV ( Bulgaria) 106; Etudes for conductor, media speaking tube and non-tuned orchestra (on folk music in the media of Socialist Bulgaria); Athena KATSANEVAKI (Greece) 113; Chorlu Mare – Tranos Choros: Two linguistic-ethnic groups in one community dance. ICTM STUDY GROUP ON MUSIC AND DANCE IN SOUTHEASTERN EUROPE: 2021; Dilyana KURDOVA (Bulgaria) 125; HORO-teque in Bulgaria; Aleksandra KUZMAN (Macedonia) 135; Performing chalgia – changing performance place and space vs changing performance context; Daniela IVANOVA-NYBERG (Bulgaria/USA) 145; What is there? Bulgarian dance and the internet; Hamraz LOTFI KORUL (Turkey) 155; The troubled tune of Iran: Mohsen Namjoo’s music in between diaspora identity in a new performance place; Mehmet Öcal ÖZBILGIN (Turkey) 160; The relationship between the individual and ‘dance space’ in the Anatolian traditional dance context; E. Şirin ÖZGÜN (Turkey) 170; New echoes on the mountains: Yörük feasts; Liz MELLISH and Nick GREEN (Romania/UK) 176; Saints’ days, and village days: creating the space for community events in Romanian Banat; Iva NIEMČIĆ and Joško ĆALETA (Croatia) 185; Slavuj piva… - contemporary scenic interpretation of the Croatian traditional music and dance; Gergana PANOVA-TEKATH (Germany/Bulgaria) 195; Levels of foreignness. Dancing Bulgarian folk dances in the welcoming culture of North Rhine-Westphalia, Germany; Ana PETROVIĆ (Serbia) 205; Field recording and constructing performance place: A case study of two female solo vocal performances; on Pešter, Serbia; Lozanka PEYCHEVA (Bulgaria) 214; Pirin Folk stage – contemporary performance space for Bulgarian pop-folk music; Serkan ŞENER (Turkey) 222; A birthplace of Turkish Arabesk music: Abdullah Nail Bayşu's house Theme 3 – Music and dance in the cultural basin of the Black Sea; Abdullah AKAT (Turkey) 229; Re-thinking Black Sea music: Micro and macro perspectives; İdris Ersan KÜÇÜK (Turkey) 236; The relationship between horon and space in social integration after the Lausanne exchange Biographies of contributors 242; Abstracts 248 UR - https://trabzon.edu.tr/Share/8F9497889C690626D641BD8591C84B36 ER -