A theory of musical narrative / Byron Almén,

Includes bibliographical references (pages [239]-244) and index.

-- Contents Pt. 1 A Theory of Musical Narrative 1 An Introduction to Narrative Analysis: Chopin's Prelude in G Major, Op. 28, No. 3 2 Perspectives and Critiques 3 A Theory of Musical Narrative: Conceptual Considerations 4 A Theory of Musical Narrative: Analytical Considerations 5 Narrative and Topic Pt. 2 Archetypal Narratives and Phases 6 Romance Narratives and Micznik's Degrees of Narrativity 7 Tragic Narratives: An Extended Analysis of Schubert, Piano Sonata in B [flat] Major, D. 960, First Movement 8 Ironic Narratives: Subtypes and Phases 9 Comic Narratives and Discursive Strategies 10 Summary and Conclusion Glossary Notes Bibliography Index

Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative, a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a diverse range of musical examples illustrating the range and applicability of the theoretical apparatus, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrativeprovides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics.