The Cambridge introduction to modern British theatre / Simon Shepherd.

Includes bibliographical references and index.

-- Where it happens. National theatre -- Buildings and their people -- Against the theatre institution -- Shows without theatres -- Who does it. The organisation of actors and companies -- The work of actors -- Directors -- Writers -- What they make. The readable tradition -- Poetic drama -- Realisms -- Naturalisms -- Deferring to the real: theatre as 'document' -- 'Cruelties' -- Other than words -- Why they do it. Movements and manifestos -- Making good theatre.

This volume introduces the features that characterize modern and current British theatre. British theatre has long been regarded as a world leader in terms of its quality, creativity and range. Starting in 1900, this book introduces the features that characterize modern and current British theatre. Topics covered include experimental performances under motorways, plays by Stoppard and Ayckbourn, amateur theatre and virtual spaces, the emergence of the director, the changing role of writers and political and community shows. The book is clearly divided into four sections: where it happens, who does it, what they make, and why they do it. It discusses theatre buildings and theatre that refuses buildings; company organization, ensembles and collectives; and different sorts of acting. A large section describes the major work done for the stage, from Shaw through to Complicite, via poetic drama, different sorts of realism and documentary drama.