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| 001 | 18299 | ||
| 005 | 20260202131031.0 | ||
| 008 | 011214s2000 gw a b 000 0beng | ||
| 010 | _a2002399442 | ||
| 020 |
_a3829032730 _q(English edition ; _qhd. bd.) |
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| 020 |
_a9783829032735 _q(English edition ; _qhd. bd.) |
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| 035 |
_a(OCoLC)46897023 _z(OCoLC)46922372 _z(OCoLC)965999398 |
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| 040 |
_aDLC _beng _cDLC _dDPL _dCPL _dOHX _dBAKER _dXY4 _dBTCTA _dLVB _dYDXCP _dOCLCG _dIG# _dOCLCF _dOCLCO _dOCLCQ _dCNGUL _dNGA _dOCLCQ _dOCLCO _dDZA _dBAUN _erda |
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| 041 | 1 |
_aeng _hger |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 4 |
_aArt/ND553.W4 _bB64 2000 |
| 100 | 1 |
_aBörsch-Supan, Helmut. _eaut |
|
| 240 | 1 | 0 |
_aWatteau, Meister der französischen Kunst. _lEnglish |
| 245 | 1 | 0 |
_aAntoine Watteau, 1684-1721 / _cHelmut Börsch-Supan ; [translation from German, Anthea Bell in association with Cambridge Publishing Management]. |
| 246 | 1 | 8 | _aAntoine Watteau |
| 264 | 1 |
_aKöln : _bKönemann, _c[2000] |
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| 264 | 4 | _c©2000 | |
| 300 |
_a140 pages : _billustrations (some color) ; _c33 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aMasters of French art. | |
| 504 | _aIncludes bibliographical references (page 139). | ||
| 505 | 0 | 0 |
_tMystery of the artist as a man _t--Inset: France around 1700 _t--Gersaint's shop sign _t--Early work _t--Scenes of military life _t--Inset: Theatrical life in Paris _t--Passion for the theater _t--Embarkation for Cythera _t--Inset: Art and fashion _t--Fetes galantes _t--Draftsman _t--Nature, landscape, children, dogs _t--Last years and legacy _t--Chronology _t--Glossary _t--Selected bibliography _t--Picture credits. |
| 520 | _aNo other artist made such a mark on 18th-century painting north of the Alps as Antoine Watteau (1684-1721). In a creative phase lasting little more than a decade, he created not the large forceful works artists are often remembered for, but rather small-scale and playful pictures full of quiet charm and gentle wit. He was able to exert artistic influence because, living in a period of upheaval and decline at the end of the era of Louis XIV, he had a presentiment of what was to come: a refinement of the mind and sensory perception, the Enlightenment, and with it new ideas of social justice. The developments that led to the French Revolution at the end of the century are already present in embryo beneath the surface merriment of Watteau's painting. | ||
| 600 | 1 | 0 |
_aWatteau, Antoine, _d1684-1721. |
| 650 | 0 |
_aPainters _zFrance _vBiography. _919230 |
|
| 700 | 1 |
_aWatteau, Antoine, _d1684-1721. _eaut |
|
| 830 | 0 |
_9110894 _aMasters of French art. |
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| 942 |
_2lcc _cKT |
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| 999 |
_c15709 _d15709 |
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