| 000 | 01748nam a2200397 i 4500 | ||
|---|---|---|---|
| 008 | 961203s1996 enka 001 0 eng c | ||
| 020 |
_a0714835803 _qset |
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| 020 |
_a0714830143 _qv. 1 |
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| 020 |
_a0714830151 _qv. 2 |
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| 020 |
_a071483016X _qv. 3 |
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| 035 | _a(OCoLC) | ||
| 040 |
_aCLE _cCLE _dUIU _dBAUN _beng _erda |
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| 040 |
_aBAUN _beng _cBAUN _erda |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 4 |
_aArt/NB614 _b.P6 1996 |
| 100 | 2 |
_aPope-Hennessy, John Wyndham, _cSir, _d1913-1994 |
|
| 245 | 1 | 3 |
_aAn introduction to Italian sculpture / _cJohn Pope-Hennessy |
| 250 | _a4th ed | ||
| 264 | 1 |
_aLondon : _bPhaidon Press, _c1996. |
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| 300 |
_a3 volume : _billustrations ; _c30 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
||
| 505 | 0 |
_t--v. 1. Italian Gothic sculpture _t-- volume 2. Italian Renaissance sculpture _t-- volume 3. Italian High Renaissance and Baroque sculpture |
|
| 520 | 1 | _aThe standard introduction to this topic, Pope-Hennessy's text is so thorough it forms the de facto corpus in the field. Each chapter addresses the work of one artist with extensive notes and a general bibliography, also arranged by artist, at the end of each volume. Each work is reproduced in black and white, most with details. [Review, Oberlin Art Library Staff, BQP 9/19/02] | |
| 650 | 0 | _aSculpture, Italian | |
| 650 | 0 |
_aSculpture, Gothic _zItaly |
|
| 650 | 0 |
_aSculpture, Renaissance _zItaly |
|
| 650 | 0 |
_aSculpture, Baroque _zItaly |
|
| 710 | 2 |
_9111626 _aPhaidon Press |
|
| 740 | 0 | 2 | _aItalian Gothic sculpture |
| 740 | 0 | 2 | _aItalian Renaissance sculpture |
| 740 | 0 | 2 | _aItalian High Renaissance and Baroque sculpture |
| 900 | _a20039 20037 20038 | ||
| 942 |
_2lcc _cKT |
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| 999 |
_c18666 _d18666 |
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