| 000 | 01939nam a2200301 i 4500 | ||
|---|---|---|---|
| 001 | 1712 | ||
| 005 | 20260213103924.0 | ||
| 008 | 890424s1988 nyua b 001 0 eng | ||
| 010 | _a88003372 | ||
| 020 | _a0810918838 | ||
| 040 |
_aDLC _cDLC |
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| 041 | 0 | _aeng | |
| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 4 |
_aNA680 _b.J448 1988 |
| 100 | 1 |
_aJencks, Charles _988142 _eaut |
|
| 245 | 1 | 0 |
_aArchitecture today / _cCharles Jencks |
| 250 | _aRev. and enl. ed | ||
| 264 | 1 |
_aNew York : _bH.N. Abrams, _c1988. |
|
| 300 |
_a358 pages : _billustrations (chiefly color) ; _c30 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 500 | _aIncludes index | ||
| 504 | _aBibliography: pages 344-345 | ||
| 505 | 0 | 0 |
_tLate-modernism versus Post-modernism: The Two Party System _t-- Late Modernism Departures _t-- Slick-Tech: The Rhetoric of Corporate Proficiency _t-- Twenties Revivalism: The White, Ideal Pavilions of Private Life _t-- Late Modern Space: A Sign of Agnosticism _t-- Post Modernism _t-- From Historicism to Radical Eclecticism _t-- From Straight Revivalism to Distorted Ornament _t-- Neo-Vernacular:The Sign of an Instant Community _t-- Ad Hoc and Urbanist: Toward a City with Memory _t-- Metaphor and Metaphysics: The Quandary of Content _t-- Post-modern Space: Layering, Elision, and Surprise _t-- Architecture Since 1980 _t-- Late-modernism since 1980 _t-- The New Expressionism _t-- Monumental Expressionism _t-- Intuitive Modernism: The Picturesque Use of bstract Vocabulary _t-- The Architecture of Deconstruction: The Pleasures of Absence _t-- The Battle of High-Tech: Great Building with Great Faults _t-- Post-modernism since 1980, Post-modern Classicism: The Synthesis of a Public Language _t-- Post-modern Regionalism: The Expression of Place _t-- Postscript: Architectural Culture in the World Village. |
| 650 | 0 |
_aArchitecture, Modern _y20th century _910143 |
|
| 942 |
_2lcc _cKT |
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| 999 |
_c1973 _d1973 |
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