000			03053nam a2200277 i 4500
008			030128s2003 enka b 001 0 eng
010			_a2003001918
020			_a0415308844 _c(alk. paper)
020			_a0415308836 _c(pbk.: alk. paper)
040			_aDLC _cDLC _dC#P _dBAUN
049			_aBAUN_MERKEZ
050	0	4	_aN72.S6 _bS62 2003
245	0	4	_aThe sociology of art : _ba reader / _cedited by Jeremy Tanner
264		1	_aLondon ; _aNew York : _bRoutledge, _c2003.
300			_axi, 265 pages : _billustrations ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages [245]-259) and index
505	0	0	_tPreface _tAcknowledgements _tIntroduction: Sociology and Art History _tPART ONE Classical sociological theory and the sociology of art _tMarxism and art history _tKarl Marx _tSocial Being and Social Consciousness (1859) _tArt and Ideology (1845/6) _tHistorical Development and Cultural Traditions (1857/8; 1852) _tArt and cultural rationalization _tMax Weber _tMagical Religion, Salvation Religion and the Evolution of Art (1915) _tThe Tensions Between Art and Ethical Religion (1922) _tArt and Rationalization in the Western World (1904) _tSymmetry and Social Organization (1896) _tGeorg Simmel _tSocial structure, material culture and symbolic communication _tEmile Durkheim _tSymbolic Meaning and Objectification (1912) _tSymbolic Objects, Communicative Interaction and Social Creativity (1912) _tPART TWO The social production of art _tMarxism and the social production of art _tRaymond Williams _tProductive Forces (1977) _tFrom Reflection to Mediation (1977) _tArt as Collective Action (1974) _tHoward S. Becker _tBut Who Created the `Creators'? (1993) _tPierre Bourdieu _tPART THREE The sociology of the artist _tThe Social Status of the Renaissance Artist (1951) _tArnold Hauser _tThe Van Gogh Effect (1996) _tNatalie Heinich _tCraftsmen's Art and Artists' Art (1993) _tNorbert Elias _tMaterial Agency and the Art of Artifacts (1994) _tDavid Brain _tPART FOUR Museums and the social construction of high culture _tArt Criticism and the Institutions of the Public Sphere (1962) _tJurgen Habermas _tOutline of a Sociological Theory of Art Perception (1968) _tPierre Bourdieu _tCultural Entrepreneurship in Nineteenth-Century Boston: The Creation of An Organizational Base for High Culture in America (1982) _tPaul DiMaggio _tConflicting Visions in American Art Museums (1981) _tVera L. Zolberg _tPART FIVE Sociology, aesthetic form and the specificity of art _tThe Dynamics of Spiritual Realities (1982[1922]) _tKarl Mannheim _tVan Eyck through the Looking Glass (1995) _tRobert Witkin _tArt as expressive symbolism: action theory and the sociology of art _tTalcott Parsons _tExpressive Symbolism and Social Interaction (1951) _tThe Cultural Elaboration of Expressive Meanings and the Evolution of Art (1961) _tReferences _tIndex
650		0	_aArt and society
650		0	_aArt _xSocial aspects
700	1		_aTanner, Jeremy, _d1963-
900			_a25916
942			_2lcc _cKT
999			_c21330 _d21330