| 000 | 03383nam a2200361 i 4500 | ||
|---|---|---|---|
| 008 | 050516s2005 enkcg b 001 0 eng | ||
| 010 | _a 2005014110 | ||
| 020 |
_a075465415X _qpbk. : alk. paper |
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| 020 |
_a9780754654155 _qpbk. : alk. paper |
||
| 035 | _a(OCoLC)ocm60393895 | ||
| 040 |
_aDLC _cDLC _dUKM _dBAKER _dC#P _dCOO _dIUL _dBTCTA _dYDXCP _dDLC _dBAUN |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 4 |
_aMT3.E5 _bR44 2005 |
| 082 | 0 | 0 | _222 |
| 245 | 0 | 4 |
_aThe reflective conservatoire : _bstudies in music education / _c[edited by George Odam and Nicholas Bannan] |
| 264 | 1 |
_aLondon : _bGuildhall School of Music & Drama ; _aAldershot, Hants, England : _bAshgate, _c2005 |
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| 300 |
_a426 pages : _bportraits, music ; _c25 cm + _e1 DVD (4 3/4 in.) |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 |
_aGuildhall School of Music & Drama research studies ; _v4 |
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| 504 | _aIncludes bibliographical references and index | ||
| 505 | 0 | 0 |
_tList of DVD contents _t-- Introduction : the reflective conservatoire |
| 505 | 0 | 0 |
_tpart 1. Reflecting on conservatoires. Prelude, The developing conservatoire _t-- Creativity and conservatoires : the agenda and the issues _r/ Sean Gregory _tpart 2. Reflecting on performing and creating. Prelude, Conservatoires, creativity and performance _t-- Breathing and the oboe : a musical, educational and clinical study _r/ Helena Gaunt _t-- Prelude, Improvisation in music and drama _t-- What makes an audience laugh? : a practice-based enquiry into comedy in theatre _r/ Kenneth Rea _t-- Back to the future : towards the revival of extemporisation in classical music performance _r/ David Dolan _t-- Prelude, Creative processes in collaboration _t-- Caprice : music and movement research and development project _r/ Anthony Marwood, Mayuri Boonham and Sean Garland _t-- Isambard Kingdom Brunel : toward an industrial opera _r/ Michael Irwin, Matthew King and Nye Parry _tpart 3. Reflecting on teaching and learning. Prelude, On education and training _t-- Creating and communicating : a rationale for piano studies in the conservatoire _r/ Paul Roberts _t-- Prelude, Sharing skills and experience _t-- Performance teaching as a form of research _r/ Robin Bowman _t-- Prelude, Research method into practice _t-- Teacher research in a conservatoire _r/ Simon Purcell _t-- Instrumental/vocal teaching and learning in conservatoires : a case study of teachers' perceptions _r/ Helena Gaunt _tpart 4. Reflecting on community and practice. Prelude, Curriculum, community and outreach _t-- The creative music workshop : a contextual study of its origin and practice _r/ Sean Gregory _t-- Collaborative arts practice and identity : the role of leadership _r/ Jackie Walduck _t-- Prelude, Cultural interaction, environment and exchange _t-- This song can come inside _r/ Richard Benjafield _t-- A British musician in a South African context _r/ Katy Gainham _t-- Transcultural arts practice _r/ Jan Hendrickse and Nathan Thomson |
| 650 | 0 |
_aConservatories of music _zEngland |
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| 650 | 0 |
_aMusic _xInstruction and study _zEngland |
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| 700 | 1 | _aOdam, George | |
| 700 | 1 | _aBannan, Nicholas | |
| 710 | 2 | _aGuildhall School of Music and Drama (London, England) | |
| 830 | 0 |
_9109576 _aResearch studies (Guildhall School of Music and Drama (London, England) ; _v4 |
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| 900 | _a25912 DV00055 | ||
| 942 |
_2lcc _cKT |
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| 999 |
_c21332 _d21332 |
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