000			01863nam a2200253 i 4500
008			100707s2005 enkag 001 0 eng d
020			_a0521453747
040			_aBAUN _beng _cBAUN _erda
049			_aBAUN_MERKEZ
050	0	4	_aML457 _b.P473 2005
245	0	4	_aThe Practice of performance : _bstudies in musical interpretation / _cedited by John Rink
264		1	_aCambridge ; _aNew York : _bCambridge University Press, _c2005.
300			_axiii, 290 pages : _billustrations, music ; _c25 cm
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
504			_aIncludes bibliographical references and index
505	0	0	_tContents _t Preface _t1 What do we perform? _r/ Roy Howat _t2 Expression in performance: generativity, perception and semiosis _r/ Eric Clarke _t3 Musical motion and performance: theoretical and empirical perspectives _r/ Patrick Shove, Bruno H. Repp _t4 Deliberate practice and elite musical performance _r/ Ralf Th. Krampe, K. Anders Ericsson _t5 The conductor and the theorist: Furtwangler, Schenker and the first movement of Beethoven's Ninth Symphony _r/ Nicholas Cook _t6 A curious moment in Schumann's Fourth Symphony: structure as the fusion of affect and intuition _r/ David Epstein _t7 Beginning-ending ambiguity: consequences of performance choices _r/ Janet M. Levy _t8 Strategies of irony in Prokofiev's Violin Sonata in F minor Op. 80 _r/ Ronald Woodley _t9 Performance and analysis: interaction and interpretation _r/ Joel Lester _t10 Analysis and the act of performance _r/ William Rothstein _t11 The pianist as critic _r/ Edward T. Cone _t12 Playing in time: rhythm, metre and tempo in Brahms's Fantasien Op. 116 _r/ John Rink _t Index
650		0	_aMusic _xPerformance
700	1		_aRink, John
710	2		_972911 _aCambridge University Press.
900			_a28001
942			_2lcc _cKT
999			_c24121 _d24121