| 000 | 01250nam a2200301 i 4500 | ||
|---|---|---|---|
| 008 | 080729s2009 ilu b 001 0 eng | ||
| 010 | _a2008033642 | ||
| 020 |
_a9780226662787 _q(cloth : alk. paper) |
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| 020 |
_a0226662780 _q(cloth : alk. paper) |
||
| 035 | _a(OCoLC)237325254 | ||
| 040 |
_aDLC _beng _cDLC _dBTCTA _dYDXCP _dUKM _dC#P _dBWX _dCDX _dBAUN _erda |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 4 |
_aML3877 _b.P47 2009 |
| 100 | 1 |
_aPeters, Gary, _d1952- |
|
| 245 | 1 | 4 |
_aThe philosophy of improvisation / _cGary Peters |
| 264 | 1 |
_aChicago : _bUniversity of Chicago Press, _c2009. |
|
| 300 |
_aviii, 190 pages ; _c24 cm |
||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages [181]-186) and index | ||
| 505 | 0 | 0 |
_tIntroduction : the sense of a beginning _t-- Scrap yard challenge : junkyard wars _t-- Freedom, origination, and irony _t-- Mimesis and cruelty _t-- Improvisation, origination, and re-novation _t-- Conclusion : improvisation, thinking, writing |
| 650 | 0 | _aImprovisation (Music) | |
| 650 | 0 |
_aMusic _xPhilosophy and aesthetics |
|
| 710 | 2 |
_9111829 _aUniversity of Chicago. _bPress. |
|
| 900 | _a28000 | ||
| 942 |
_2lcc _cKT |
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| 999 |
_c24124 _d24124 |
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