000			01946nam a2200325 i 4500
008			020416s2003 enk b 001 0 eng
010			_a2002067419
020			_a0521810930
020			_a9780521810937
020			_a0521009324 _qpb.
020			_a9780521009324 _qpb.
040			_aDLC _beng _cDLC _dUKM _dBAKER _dNLGGC _dBTCTA _dLVB _dYDXCP _dOCLCG _dSTF _dOCLCQ _dHEBIS _dOCLCQ _dYUS _dOCLCQ _dTULIB _dBDX _dUWO _dOCLCF _dOCLCO _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	4	_aML3845 _b.B358 2003
100	1		_aBenson, Bruce Ellis, _d1960-
245	1	4	_aThe improvisation of musical dialogue : _ba phenomenology of music / _cBruce Ellis Benson.
264		1	_aCambridge ; _aNew York : _bCambridge University Press, _c2003.
300			_axiv, 200 pages ; _c23 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_t-- Between composition and performance _t-- Composing : from Ursprung to Fassung letzter Hand _t-- Performing : the improvisation of preservation _t-- The Ergon with Energeia _t-- Being musical with the other.
520	1		_a"What takes place when a composer creates a piece of music? To what extent is a performer part of the creative process? Although the dominant paradigm for music making in our era has been that of creation and reproduction - in which composers are the true creators and performers primarily carry out their wishes - does that way of thinking reflect actual musical practice?" "Succinct and lucid, not only will this important book be a provocative read for philosophers of art and musicologists, it should also appeal to general readers, especially those who compose and perform music."--BOOK JACKET.
650		0	_aMusic _xPhilosophy and aesthetics.
650		0	_aImprovisation (Music)
710	2		_972911 _aCambridge University Press.
900			_a27999
942			_2lcc _cKT
999			_c24125 _d24125