000			02871nam a2200409 i 4500
008			090304s2010 nyuag b 001 0 eng
010			_a2009009413
020			_a9780415804530 _q(hardback)
020			_a0415804531 _q(hardback)
020			_a9780415997256 _q(pbk.)
020			_a0415997259 _q(pbk.)
020			_a9780203873472 _q(ebook)
020			_a0203873475 _q(ebook)
040			_aDLC _beng _erda _cDLC _dBTCTA _dYDXCP _dC#P _dUKM _dGEBAY _dCDX _dBDX _dOCLCF _dOCLCO _dOCLCQ _dOCLCO _dDEBBG _dOCLCO _dCWR _dKSU
049			_aBAUN_MERKEZ
050	0	4	_aMT6 _b.S254 2010
082	0	0	_222
100	1		_aSarath, Ed, _eauthor
245	1	0	_aMusic theory through improvisation : _ba new approach to musicianship training / _cEdward Sarath
264		1	_aNew York : _bRoutledge, _c2010
300			_axviii, 369 pages : _billustrations, music ; _c28 cm + _e1 audio disc (digital ; 4 3/4 in.)
336			_atext _btxt _2rdacontent _3book
336			_aperformed music _bprm _2rdacontent _3audio disc
337			_aunmediated _bn _2rdamedia _3book
337			_aaudio _bs _2rdamedia _3audio disc
338			_avolume _bnc _2rdacarrier _3book
338			_aaudio disc _bsd _2rdacarrier _3audio disc
504			_aIncludes bibliographical references and index
505	0	0	_t-- Improvisation across boundaries : a trans-stylistic approach _t-- Music fundamentals _t-- Modality and rhythm I : time feels _t-- Modality and rhythm II : small group framework _t-- Basic tonal materials : triads and seventh chords _t-- Harmonic functions _t-- Swing : gloval rhythmic gateway _t-- Melodic line construction and harmonization _t-- Chord inversion present and past _t-- Non-diatonic harmony I : applied chords _t-- Non-diatonic harmony II : modal mixture _t-- Figured bass realization at the keyboard _t-- Extended chords _t-- Altered extensions _t-- Diverse approaches to analysis _t-- Fine-tuning and expanding the jazz palette
520			_aAccompanying CD-ROM includes: audio files
520			_a"Music Theory Through Improvisation presents a unique approach to basic theory and musical training, examining the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Geared toward the diverse interests and abilities of today's student, Music Theory Through Improvisation places the study of harmony within improvisation and composition in stylistically diverse formats, including jazz and popular music. Keyboard realization, for students with little or no keyboard training, is the primary mode of assimilation of harmonic materials"--Back cover
650		0	_aMusic theory
650		0	_aJazz _xInstruction and study
650		0	_aImprovisation (Music)
900			_a28384 CD00376
942			_2lcc _cKT
999			_c25114 _d25114