000			01953nam a2200373 i 4500
008			060223s2006 inuag b s001 0 eng
010			_a2006006217
020			_a0253347920 _qcloth : alk. paper
024	3		_a9780253347923
035			_a(OCoLC)64486384
040			_aDLC _beng _cDLC _dBAKER _dC#P _dIUL _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	4	_aML3845 _b.A67 2006
082	0	0	_222
245	0	0	_aApproaches to meaning in music / _cedited by Byron Almén and Edward Pearsall
264		1	_aBloomington : _bIndiana University Press, _c[2006]
264		4	_c©2006
300			_a239 pages : _billustrations, music ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aMusical meaning and interpretation
504			_aIncludes bibliographical references (pages [215]-226) and index
505	0	0	_t-- The divining rod : on imagination, interpretation, and analysis _r/ Edward Pearsall and Byron Almén _t-- Anatomy of a gesture : from Davidovsky to Chopin and back _r/ Patrick McCreless _t-- Anti-teleological art : articulating meaning through silence _r/ Edward Pearsall _t-- The troping of temporality in music _r/ Robert S. Hatten _t-- A simple model for associative musical meaning _r/ J. Peter Burkholder _t-- Uncanny moments : juxtaposition and the collage principle in music _r/ Nicholas Cook _t-- The sacrificed hero : creative mythopoesis in Mahler's Wunderhorn symphonies _r/ Byron Almén _t-- Contingencies of meaning in transcriptions and excerpts : popularizing Samson et Dalila _r/ Jann Pasler
650		0	_aMusic _xPhilosophy and aesthetics
650		0	_aMusic _xSemiotics
650		0	_aMusical analysis
700	1		_aAlmén, Byron, _d1968- _4ctb
700	1		_aPearsall, Edward, _d1954- _4ctb
710	2		_9111662 _aIndiana University. _bPress
830		0	_9109472 _aMusical meaning and interpretation.
900			_a28392
942			_2lcc _cKT
999			_c25210 _d25210