000			01957nam a2200313 i 4500
007			sd fsngnnmmned
008			990810t20002000nju b 001 0 eng
020			_a0130833398 _q(paperback)
020			_a0130862371 _q(paperback)
020			_a0130856983 _qCD-ROM
040			_aDLC _beng _cDLC _dC#P _dKSW _dLVB _dBGU _dUtOrBLW _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	4	_aMT50 _b.O923 2000
082	0	0	_221
100	1		_aOttman, Robert W
245	1	0	_aAdvanced harmony : _btheory and practice / _cRobert W. Ottman
250			_aFifth edition
264		1	_aUpper Saddle River, NJ : _bPrentice Hall, _c[2000]
264		4	_c©2000
300			_aviii, 488 pages : _billustrations ; _c26. cm + _e1 sound disc (digital ; 4 3/4 in.)
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index
505	0	0	_t-- Modulation _t-- Diminished triads and seventh chords, including secondary leading-tone functions _t-- Modulation with diminished seventh chords _t-- Binary and ternary forms _t-- Application of part-writing procedures to instrumental music _t-- Diatonic seventh chords _t-- Chromatic chords: modal mixture, the Neapolitan sixth, The augmented triad _t-- Augmented sixth chords _t-- Augmented sixth chords: modulation and other uses _t-- Chords of the ninth, the eleventh, and the thirteenth _t-- Chords and progressions in special situations _t-- The close of the nineteenth century, the beginning of new directions _t-- Debussy and Impressionism _t-- After Debussy: an introduction to twentieth-century music _t-- Twentieth-century music: melody, rhythm, and harmony _t-- Serial composition and later twentieth-century practices _t-- Appendix A: The essentials of part-writing conventional procedures _t-- Appendix B: Instrumentation ranges, clefs, transposition.
650		0	_aHarmony
900			_a30853 CD00592
942			_2lcc _cKT
999			_c27655 _d27655