000			02616nam a2200469 i 4500
008			080422m20099999maua b 001 0 eng
010			_a2008018491
020			_a9780073101873 _qv. 1 : alk. paper
020			_a0073101877 _qv. 1 : alk. paper
020			_a9780073101880 _qv. 2 : alk. paper
020			_a0073101885 _qv. 2 : alk. paper
020			_a9780077254957 _qstudent text, vol. 2
020			_a0077254953 _qstudent text, vol. 2
020			_a9780073127484 _qinstructor's manual, vol. 1
020			_a0073127485 _qinstructor's manual, vol. 1
020			_a9780073127439 _qinstructors manual, vol. 2
020			_a0073127434 _qinstructors manual, vol. 2
020			_a9780077294236 _qworkbook, vol. 1
020			_a0077294238 _qworkbook, vol. 1
020			_a9780073127415 _qworkbook, vol. 2
020			_a0073127418 _qworkbook, vol. 2
035			_a(OCoLC)214305687 _z(OCoLC)701907185
040			_aDLC _beng _cDLC _dUKM _dBTCTA _dHMU _dYDXCP _dIUL _dIG# _dOKU _dGEBAY _dOCLCQ _dMOU _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	4	_aMT6.B34 _bM9 2009
082	0	0	_222
100	1		_aBenward, Bruce.
245	1	0	_aMusic in theory and practice / _cBruce Benward, Marilyn Saker.
250			_aEighth edition.
264		1	_aBoston : _bMcGraw-Hill, _c[2009]
264		4	_c©2009
300			_a2 volumes : _billustrations ; _c28 cm + _e2 audio discs (digital ; 4 3/4 in.)
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (volume 1, pages 395) and index.
505	0		_gvolume 1. Notation _tScales, tonality, key, modes _tIntervals and transposition _tChords _tCadences and nonharmonic tones _tMelodic organization _tTexture and textural reduction _tSpecies counterpoint _tVoice leading in four-part chorale writing _tHarmonic progression and harmonic rhythm _tThe dominant seventh chord _tThe leading-tone seventh chords _tNondominant seventh chords _tSecondary dominants and leading-ton chords _tModulation _tTwo-part (binary) form _tthree-part (ternary) form -- _gvolume 2. _tLate Renaissance polyphony _tTwo-voice eighteenth-century counterpoint _tThe Fugue _tBorrowed chords _tNeapolitan 6th chords _tAugmented 6th chords _tVariation technique _tSonata form _tRondo forms _t9th, 11th, and 13th chords _tAltered dominants _tChromatic mediants _tThe romantic period _tThe post-romantic style _tImpressionism and related styles _tThe early twentieth century _tTwelve-tone technique _tMusic since 1945.
650		0	_aMusic theory.
700	1		_aSaker, Marilyn Nadine.
900			_a31235 31345
942			_2lcc _cKT
999			_c27677 _d27677