000			01830nam a2200277 i 4500
008			990212s2000 nyug 001 0 eng
010			_a99021158
020			_a0195115392
040			_aDLC _beng _cDLC _dBUF _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	4	_aMT6.O88 _bM87 2000
082	0	0	_221
100	1		_aOwen, Harold, _d1931-
245	1	0	_aMusic theory resource book / _cHarold Owen
264		1	_aNew York : _bOxford University Press, _c2000.
300			_axii, 260 pages : _bmusic ; _c28 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index and glossary
505	0	0	_tContents _t Preface _tCh. 1 The Nature of Music _tCh. 2 The Physical Properties of Music _tCh. 3 The Notation of Music _tCh. 4 The Temporal Dimension _tCh. 5 The Pitch Dimension _tCh. 6 The Structural Dimension: Characteristics of Melody _tCh. 7 The Anatomy of Chords _tCh. 8 Music in Two Parts _tCh. 9 Music in Three or More Parts _tCh. 10 Altered Chords I: Secondary Dominants _tCh. 11 Texture and Variation _tCh. 12 Altered Chords II: The Augmented Sixth Chords and the Neapolitan Sixth Chord _tCh. 13 Altered Chords III: Third Relation, Borrowed Chords, and Irregular Resolution _tCh. 14 Modulation - Larger Forms _tCh. 15 Extended Chords, Added Tones, and Jazz Harmony _tCh. 16 Chromatic Harmony _tCh. 17 The Music of Ravel and Debussy _tCh. 18 Techniques Borrowed from the Musics of Non-Western Cultures _tCh. 19 Techniques Developed in the First Half of the Twentieth Century _tCh. 20 Techniques Developed in the Second Half of the Twentieth Century _tAppendix A Style Profiles _tAppendix B A Guide to Figured Bass Realization _t Glossary _t Index
650		0	_aMusic theory
710	2		_9111967 _aOxford University Press.
900			_a30915
942			_2lcc _cKT
999			_c27721 _d27721