000			02126nam a2200325 i 4500
008			040225s2005 inuag b s001 0 eng
010			_a2004004471
020			_a0253343836
040			_aDLC _beng _cDLC _dC#P _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	4	_aML3845 _b.L53 2005
082	0	0	_222
100	1		_aLidov, David, _d1941-
245	1	0	_aIs language a music? : _bwritings on musical form and signification / _cDavid Lidov
264		1	_aBloomington : _bIndiana University Press, _c[2005]
264		4	_c©2005
300			_aviii, 256 pages : _billustrations, music ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aMusical meaning and interpretation
504			_aIncludes bibliographical references (pages [247]-252) and index
505	0	0	_t-- Is language a music? _t-- Structuralist perspectives. Structure and function in musical repetition _tThe Allegretto of Beethoven's Seventh _tMediation as a principle of musical form : three examples _t-- Semiotic polemics. Nattiez's foundations for musical semiotics _tOur time with the druids : what (and how) we can recuperate from our obsession with segmental hierarchies and other "tree structures" _tWhy we still need Peirce _t-- From gestures to discourses. Mind and body in music _tOpera operta : realism and rehabilitation in La traviata _tA monument in song (1996) : Beverly (Buffy) Sainte-Marie's "Bury my heart at Wounded Knee" _t-- The messages of methods. Bartók the progressive _tThe art of music theory and the aesthetic category of the possible _tTechnique and signification in the twelve-tone method _tThe project of abstraction and the persistence of the figure in twentieth-century music and painting : on the music of Elliott Carter, with a postscript on the Ninth symphony of Beethoven _t-- Resisting representation. Replaying my voice mail
650		0	_aMusic _xSemiotics
650		0	_aMusic and language
710	2		_9111662 _aIndiana University. _bPress
830		0	_9109472 _aMusical meaning and interpretation.
900			_a30911
942			_2lcc _cKT
999			_c27741 _d27741