000			04436nam a2200349 i 4500
008			101012t20101978caug 000 0 eng d
010			_a77073502
020			_a9780520266087
020			_a0520266080
040			_aTWU _beng _cTWU _dEXW _dCNAUC _dHMU _dBTCTA _dYDXCP _dYOU _dUtOrBLW _dBAUN _erda
041	1		_aeng _hger
049			_aBAUN_MERKEZ
050	0	4	_aMT50 _b.S25 2010
100	1		_aSchoenberg, Arnold, _d1874-1951
240	1	0	_aHarmonielehre. _lEnglish
245	1	0	_aTheory of harmony / _cArnold Schoenberg ; translated by Roy E. Carter
250			_a100th anniversary edition/ foreword by Walter Frisch
264		1	_aBerkeley, Calif. : _bUniversity of California, _c[2010]
264		4	_c©1978
300			_axxix, 440 pages : _bmusic ; _c26 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aReprint. Originally published in 1911 by Universal Edition. This translation was first published in 1978 by University of California Press and was based on the third edition (1922) of the German text
500			_aNew foreword by Walter Frisch, dated 2010 at end
505	0	0	_tForeword to the Iooth Anniversary Edition _tTranslator's Preface _tPreface to the First Edition _tPreface to the Third Edition _tI Theory or System of Presentation? _tII The Method of Teaching Harmony _tIII Consonance and Dissonance _tIV The Major Mode and the Diatonic Chords _tThe Diatonic Triads _tSpacing the Chords _tConnection of the Diatonic Primary and Secondary Triads _tConnection of the Diatonic Primary and Secondary Triads in Short Phrases _tThe VIIth Degree _tThe Inversions of the Triads _tThe Sixth Chord _tParallel Octaves and Fifths _tConnection of the Triads with the Sixth Chords, the Sixth Chords with the Triads and the Sixth Chords with One Another _tThe Six-Four Chord _tSeventh Chords _tInversions of the Seventh Chords _tConnection of Seventh Chords with One Another _tV The Minor Mode _tThe Diatonic Triads in Minor _tInversion of the Triads in Minor _tSeventh Chords and their Inversions in Minor _tVI Connection of Chords That Have No Common Tone (Harmonisches Band) _tVII Some Directions for Obtaining Better Progressions; Concerning Melodic Conduct of The Two Outer Voices; Then Concerning Closes, Cadences, Deceptive Cadences, and the Six-Four Chord in the Cadence _tGuidelines for using the Means so far Introduced _tCloses and Cadences _tDeceptive Cadences _tThe Six-Four Chord in the Cadence _tVIII Freer Treatment of VII in Major and Minor _tIX Modulation _tX Secondary Dominants and Other Non-Diatonic Chords Derived From the Church Modes _tGuidelines _tConcerning the Diminished Seventh Chord _tGuidelines for the Use of the Diminished Seventh Chord _tXI Rhythm (Takt) and Harmony _tXII Modulatons: Continuation _tTo the Third and Fourth Circles Upward _tTo the Third and Fourth Circles Downward _tXIII Relationship to the Minor Sub-Dominant _tGuidelines _tXIV At the Frontiers of Tonality _tThe Augmented Triad _tAugmented Six-Five, Four-Three, Two, and Sixth Chords, and Some Other Vagrant Chords _tXV Modulation to the IInd, Vth, and VIth Circles of Fifths, to the VIIth and VIIIth, and Also to More Closely Related Circles By Segments and Through Intermediate Keys _tFifth and Sixth Circles of Fifths _tXVI Chorale Harmonization _tCadences (Schlusse) _tXVII `Non-Harmonic' Tones _tSuspension, Double Suspension, et cetera, Passing Tones, Changing Tones, Anticipations _tXVIII A Few Remarks Concerning Ninth Chords _tXIX Some Additions and Schematic Presentations to Round Out the System _tAlterations of Triads, Seventh Chords, and Ninth Chords _tAbbreviation of Set Patterns Through Omission of Intermediate Steps _tTriads Connected with All Other Triads and Seventh Chords; also, All Seventh Chords with One Another _tSome Other Details: Possibilities of the Ascending Seventh; Basses for the Diminished Seventh Chord; a Chord of Mozart; an Eight-Part Chord _tAdditional Schemes for Modulating _tSome Additional Details _tConcerning Fluctuating and Suspended Tonality _tThe Chromatic Scale as a Basis for Tonality _tXX The Whole-Tone Scale and Related Five and Six-Part Chords _tXXI Chords Constructed in Fourths _tXXII Aesthetic Evaluation of Chords With Six or More Tones _tAppendix _tTopical Index _tIndex of Names
650		0	_aHarmony
700	1		_aCarter, Roy E., _etranslator
700	1		_aFrisch, Walter, _d1951- _eauthor of introduction, etc
900			_a31191
942			_2lcc _cKT
999			_c27811 _d27811