| 000 | 03404nam a2200349 i 4500 | ||
|---|---|---|---|
| 008 | 050217s2005 enkag b 001 0 eng | ||
| 010 | _a2005560241 | ||
| 020 | _a0198530129 | ||
| 020 | _a0198530137 | ||
| 020 | _a9780198530138 | ||
| 020 | _a9780198530121 | ||
| 035 | _a(OCoLC)56807192 | ||
| 040 |
_aUKM _beng _cUKM _dDLC _dBAKER _dMUQ _dCLU _dNLGGC _dYDXCP _dBTCTA _dYBM _dUBA _dUQ1 _dHEBIS _dNMC _dTUU _dBAUN _erda |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 4 |
_aML3830 _b.S52 2005 |
| 100 | 1 | _aSloboda, John A | |
| 245 | 1 | 0 |
_aExploring the musical mind : _bcognition, emotion, ability, function / _cJohn Sloboda |
| 264 | 1 |
_aOxford ; _aNew York : _bOxford University Press, _c2005 |
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| 300 |
_axxix, 437 pages : _billustrations, music ; _c24 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index | ||
| 505 | 0 | 0 |
_t-- A: Cognitive processes _t-- The psychology of music reading _t-- Experimental studies of music reading: a review _t-- The uses of space in music notation _t-- Immediate recall of melodies _t-- Cognition and real music: the psychology of music comes of age _t-- Psychological structures in music: core research 1980-1990 _t-- Review of language, music, and mind _r/ Diana Raffman _t-- Does music mean anything? _t-- B: Emotion and motivation _t-- Music as a language _t-- Music psychology and the composer _t-- Empirical studies of emotional response to music _t-- Emotional response to music: a review _t-- Musical performance and emotion: issues and developments _t-- C: Talent and skill development _t-- Musical expertise _t-- Musical ability _t-- The acquisition of musical performance expertise: deconstructing the 'talent' account of individual differences in musical expressivity _t-- Are some children more gifted for music than others? _t-- D: Music in the real world _t-- Everyday uses of music listening: a preliminary study _t-- Music: where cognition and emotion meet _t-- Music and workshop: a psychologist's perspective _t-- Emotion, functionality, and the everyday experience of music: where does music education fit? _t-- The 'sound of music' versus the 'essence of music': dilemmas for music-emotion researchers _t-- Assessing music psychology research: values, priorities, and outcomes |
| 520 | 1 | _a"This new book brings together 24 selected essays and reviews written by an internationally acclaimed authority on music and the mind. Chapters are grouped into four main areas of study: cognitive processes (including music reading, memory, and performance); emotion and motivation; talent and skill development; and music in the real world (including functions of music in everyday life and culture). The book ends with a newly written chapter on music psychology and social benefits. The book brings together a range of influential writings to provide a compendious overview of a subject that has come to maturity during the author's career, a career that has significantly contributed to the development of the field."--BOOK JACKET | |
| 650 | 0 |
_aMusic _xPsychological aspects |
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| 710 | 2 |
_9111967 _aOxford University Press. |
|
| 856 | 4 | 2 |
_3Publisher description _uhttp://catdir.loc.gov/catdir/enhancements/fy0628/2005560241-d.html |
| 856 | 4 | 1 |
_3Table of contents only _uhttp://catdir.loc.gov/catdir/enhancements/fy0628/2005560241-t.html |
| 900 | _a30943 | ||
| 942 |
_2lcc _cKT |
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| 999 |
_c27835 _d27835 |
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