| 000 | 03730nam a2200325 i 4500 | ||
|---|---|---|---|
| 008 | 080725s2008 nyua b 001 0 eng | ||
| 010 | _a2008033080 | ||
| 020 |
_a9780810972421 _q(alk. paper) |
||
| 020 |
_a0810972425 _q(alk. paper) |
||
| 035 | _a(OCoLC) | ||
| 040 |
_aDLC _beng _cDLC _dYDX _dBTCTA _dBAKER _dYDXCP _dCDX _dOAC _dGZM _dUKM _dIQU _dUND _dBDX _dVP@ _dOCLCF _dOCLCO _dIHI _dOCLCO _dOCLCQ _dKSU _dUtOrBLW _erda |
||
| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 4 |
_aArt/NE2425 _b.D48 2008 |
| 082 | 0 | 0 | _222 |
| 100 | 1 | _aDevon, Marjorie | |
| 245 | 1 | 0 |
_aTamarind techniques for fine art lithography / _cMarjorie Devon, with Bill Lagattuta and Rodney Hamon |
| 264 | 1 |
_aNew York : _bAbrams, _c2008. |
|
| 300 |
_axvii, 302 pages : _bcolor illustrations ; _c30 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 504 | _aIncludes bibliographical references (pages 287-291) and index | ||
| 505 | 0 | 0 |
_t-- The lithography workshop _t-- General facility needs _t-- Dedicated work areas _t-- Storage _t-- Workshop location _t-- Workshop models _t-- Legal structures for private professional workshops _t-- Business models _t-- Public relations _t-- Marketing _t-- Fund-raising _t-- Health and safety _t-- Ventilation _t-- Personal protective equipment _t-- Responsible storage and disposal _t-- Additional safety practices _t-- Regulatory and oversight agencies _t-- General health and safety guidelines _t-- Material data safety sheets (MSDS) _t-- Health and safety guidelines for products commonly used in lithography _t-- General equipment and materials _t-- Presses _t-- Hand press equipment _t-- Rollers _t-- Gereral shop equipment _t-- Chemicals _t-- Paper _t-- The development of papermaking _t-- Papermaking methods _t-- Physical properties _t-- Problems associated with papers _t-- Fine papers for proofing and editioning _t-- Miscellaneous papers for the workshop _t-- Ordering paper _t-- Storing papers and inventory control _t-- Preparing papers for edition printing _t-- Marking registration _t-- Ink _t-- Physical properties of inks _t-- Ingredients of lithographic inks _t-- Black inks _t-- Color inks _t-- Metallic inks _t-- Stone lithography _t-- The lithographic stone _t-- Stone preparation _t-- Drawing preparation _t-- Basic drawing materials and techniques _t-- Etching the stone _t-- Registration guide for multiple-run lithograph _t-- Aluminum plate lithography _t-- Types of aluminum plates _t-- Plate preparation _t-- Drawing preparation _t-- Basic drawing materials and techniques _t-- Processing an aluminum plate _t-- Corrections after initial roll-up _t-- The second etch _t-- Photolithography _t-- Creating films _t-- Paper _t-- Registration _t-- Exposing and printing commercial positive plates _t-- Exposing and printing hand-coated negative plates _t-- Albumen on stone _t-- Additional techniques _t-- Transfer lithography _t-- Subtractive techniques _t-- Reversal techniques _t-- Line engraving _t-- Unconventional drawing materials _t-- Chine collé _t-- Dusting with powders _t-- Metallics _t-- Polyester plates _t-- Waterless lithography _t-- Proofing and editioning _t-- Preliminary proofing in black ink _t-- Preliminary proofing in color _t-- Making corrections _t-- Bon à Tirer _t-- Printing the edition _t-- Cleaning up _t-- Troubleshooting _t-- Curatorial concerns _t-- Quality control _t-- Identifying marks _t-- Signing and numbering _t-- Designation of proofs _t-- Edition documentation _t-- Storage and care of original prints _t-- Packing and shipping prints _t-- Matting and framing prints _t-- Suppliers _t-- Measurement conversion chart |
| 650 | 0 |
_aLithography _xTechnique |
|
| 700 | 1 | _aLagattuta, Bill | |
| 700 | 1 | _aHamon, Rodney | |
| 710 | 2 |
_9111808 _aTamarind Institute |
|
| 900 | _a34820 | ||
| 942 |
_2lcc _cKT |
||
| 999 |
_c32003 _d32003 |
||