| 000 | 03059nam a2200325 i 4500 | ||
|---|---|---|---|
| 008 | 110512s2012 nyua b 001 0 eng | ||
| 010 | _a2011020606 | ||
| 020 | _a9780823008124 | ||
| 020 | _a0823008126 | ||
| 020 | _z9780823008131 | ||
| 040 |
_aDLC _beng _cDLC _dYDX _dYDXCP _dBDX _dUKMGB _dORX _dVP@ _dIG# _dCDX _dBWX _dFDA _dSTF _dUBY _dUKWOH _dNYWWB _dCOD _dOCLCQ _dND$ |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 4 |
_aNE863 _b.P64 2012 |
| 100 | 1 | _aPogue, Dwight W. | |
| 245 | 1 | 0 |
_aPrintmaking revolution : _bnew advancements in technology, safety, and sustainability / _cDwight W. Pogue. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aNew York : _bWatson-Guptill Publications, _c[2012] |
|
| 264 | 4 | _c©2012 | |
| 300 |
_a240 pages : _billustrations (some color) ; _c29 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tContents _tpart One Lithography _t A Brief History of Lithography _t The Lithography studio for the 21st century _t Lithography Drawing Materials _t Bio-etching and Printing Techniques _t Pin Registration Method _t Gum Deletion Mask Techniques _t Air Eraser Deletion Techniques _t Photolithography Materials _t Techniques for Making Digital Film Positives _t Photolithography Techniques _t Techniques for Making Image Reversals _t Four-Color Separation Techniques _t Studio Techniques: Four-Color Printing _t Rubyred Photolithography Techniques _t Studio Techniques: Reduction Lithography _t Digital Direct-to-Plate Techniques _t Digital-to-Stone Techniques _t Lithography Printing Materials _t Lithography best practices _tpart Two INTAGLIO _t A Brief History of Intaglio _t The Intaglio Studio for the 21st Century _t Studio Techniques: A Glimpse into Peter Pettengill's Workshop _t Electrolysis Etching Techniques _t Photoetching Techniques _t Velvetint Techniques _t Intaglio Techniques that Combine Photoetching with Velvetint _t Drawing Transfer Techniques _t Four-Color Separation Techniques _t Studio Techniques: Four-Color Separation Etching Without Film _t Intaglio best practices _tpart Three Screenprinting _t A Brief History of Screenprinting _t The Screenprinting Studio for the 21st Century _t Screenprinting Materials and Equipment _t Screenprinting Image-Making Techniques _t Studio Techniques: Rubylith Stencils _t Four-Color Separation Techniques _t Screenprinting best practices _t Studio Techniques: Butt Registration _t Studio Techniques: Color Blends _t Appendix _t Notes _t References _t Suppliers _t Index |
| 520 | 8 | _aThis text provides the latest never-before-published advancements in the three major printmaking mediums of etching, lithography, and screen-printing. The book demonstrates how to embrace green materials and practices, without sacrificing the quality of fine art prints. | |
| 650 | 0 |
_aPrints _xTechnique _xEnvironmental aspects. |
|
| 650 | 0 |
_aArtists' materials _xEnvironmental aspects. |
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| 900 | _a34884 | ||
| 942 |
_2lcc _cKT |
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| 999 |
_c32114 _d32114 |
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