000			01973nam a2200289 i 4500
008			120221s2012 enka b 001 0 eng d
020			_a9781408124949 _q(paperback)
020			_a1408124947 _q(paperback)
040			_aUKMGB _beng _cUKMGB _dBTCTA _dYDXCP _dBDX _dBWK _dYNK _dCDX _dCUI _dVP@ _dOH# _dOCLCF _dCAD _dOCLCQ _dUKTTE _dUKMGB
049			_aBAUN_MERKEZ
050	0	4	_aNE863 _b.C38 2012
100	1		_aCatanese, Paul.
245	1	0	_aPost-digital printmaking : _bCNC, traditional and hybrid techniques / _cPaul Catanese and Angela Geary.
264		1	_aLondon : _bA. and C. Black, _c2012.
300			_a160 pages : _bcolor illustrations ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (page 158) and index.
505	0	0	_t-- Post-digital printmaking defined _t-- Pioneers and conceptual antecedents _t-- Post-digital printmaking technologies _t-- Creating line and tone with CNC printmaking _t-- Case Studies. Paul Catanese _t-- Barbara Foster and Jack Stone _t-- Angela Geary _t-- Jean-Pierre Hébert _t-- Stephen Hoskins and the Centre for Fine Print Research _t-- Mike Lyon _t-- Josephine McCormick _t-- Jon Pengelly _t-- Ribuoli Digital _t-- Two Palm Press.
520			_a"This groundbreaking book establishes Post-Digital Printmaking as a distinct area of printmaking practice both technically and conceptually. Radically different from digital print production (inkjet on high-quality paper), Post-Digital Printmaking integrates Computer Numeric Control (CNC) devices such as laser cutters and CNC routers with matrix production for lithography, intaglio and relief. This contemporary practice incorporates the strengths of both digital and traditional, resulting in hybrid printmaking techniques."--Back cover.
650		0	_aPrints _xTechnique.
650		0	_aPrinting _xData processing.
700	1		_aGeary, Angela.
900			_a34881
942			_2lcc _cKT
999			_c32156 _d32156