| 000 | 03273nam a2200373 i 4500 | ||
|---|---|---|---|
| 008 | 150128s2013 inum b a001 0 eng c | ||
| 010 | _a2012025523 | ||
| 020 |
_a9780253006448 _qcloth : alkaline paper |
||
| 020 |
_a0253006449 _qcloth : alkaline paper |
||
| 040 |
_aICU/DLC _beng _erda _cCGU _dDLC _dBTCTA _dYDXCP _dOCLCO _dTDF _dIG# _dBAUN |
||
| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 0 |
_aML3849 _b.M933 2013 |
| 082 | 0 | 0 | _223 |
| 245 | 0 | 0 |
_aMusic and narrative since 1900 / _cedited by Michael L. Klein and Nicholas Reyland. |
| 264 | 1 |
_aBloomington ; _aIndianapolis : _bIndiana University Press, _c[2012] |
|
| 264 | 4 | _c©2013. | |
| 300 |
_axx, 422 pages : _billustrations ; _c24 cm. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 490 | 1 | _aMusical meaning and interpretation. | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_t-- Musical story _r/ Michael L. Klein _t-- Negation and negotiation : plotting narrative through literature and music from modernism to postmodernism _r/ Nicholas Reyland _t-- Narrative engagement with twentieth-century music : possibilities and limits _r/ Byron Almén and Robert S. Hatten _t-- Optional extra? : contextualizing narrative in the critical interpretation of post-tonal composition _r/ Arnold Whittall _t-- Archetypes of initiation and static temporality in contemporary opera : works of François-Bernard Mâche, Pascal Dusapin, and Gualtiero Dazzi _r/ Márta Grabócz _t-- Agency, determinism, focal time frames, and processive minimalist music _r/ Joshua Banks Mailman _t-- Musical prose and musical narrativity in the Fin de siècle _r/ Elisheva Rigbi _t-- Narrative nostalgia : modern art music off the rails _r/ Lawrence Kramer _t-- Agency effects in the instrumental drama of Musgrave and Birtwistle _r/ Philip Rupprecht _t-- Narrativities in the music of Thomas Adès : the piano quintet and Brahms _r/ Emma Gallon _t-- Britten's Serenade and the politico-moral crises of the wartime conjuncture : hermeneutic and narrative notes on the "Nocturne" _r/ Sumanth Gopinath _t-- Identity, time, and narrative in three songs about AIDS by the Pet Shop Boys _r/ Fred Everett Maus _t-- A story of violence : a guitar improvisation as a narrative about embodied listening _r/ Vincent Meelberg _t-- Ives and the now _r/ Matthew McDonald _t-- Narrativity, descriptivity, and secondary parameters : ecstasy enacted in Salvatore Sciarrino's Infinito nero _r/ Rebecca Leydon _t-- The tropes of desire and Jouissance in Kaija Saariaho's L'amour de loin _r/ Yayoi Uno Everett _t-- Expressive doubling and the narrative of rebirth in Shostakovich's String quartet numbers 3, opus 73 _r/ Sarah Reichardt Ellis _t-- Afterlife of an archetype : Prokofiev and the art of subversion _r/ Gregory Karl _t-- Identity formation in Webern's Six pieces for large orchestra, opus 6 _r/ Alan Street |
| 650 | 0 | _aNarrative in music. | |
| 650 | 0 |
_aMusic _xPhilosophy and aesthetics. |
|
| 650 | 0 |
_aMusic _xSemiotics. |
|
| 650 | 0 | _aMusical analysis. | |
| 650 | 0 | _aMusic theory. | |
| 700 | 1 | _aKlein, Michael Leslie, | |
| 700 | 1 | _aReyland, Nicholas W., | |
| 710 | 2 |
_9111662 _aIndiana University. _bPress |
|
| 830 | 0 |
_9109472 _aMusical meaning and interpretation. |
|
| 942 |
_2lcc _cKT |
||
| 999 |
_c33445 _d33445 |
||