000			01986nam a2200313 i 4500
008			150128r20041994inum f b a001 0 eng
020			_a0253217113 _q(paperback)
040			_aUKM _beng _cUKM _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	0	_aML410.B4 _bH28 2004
082	0	4	_222
100	1		_aHatten, Robert S.
245	1	0	_aMusical meaning in Beethoven : _bmarkedness, correlation, and interpretation / _cRobert S. Hatten.
264		1	_aBloomington, Ind. : _bIndiana University Press, _c2004.
300			_axvi, 349 pages : _billustrations, music ; _c23 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aMusical meaning and interpretation.
500			_aOriginally published: 1994.
504			_aIncludes bibliographical references and indexes.
505	0	0	_t-- Foreword by _r/ David Lidov _tPreface _tIntroduction _tPart I. Interpretation and TheoryI. _tA Case Study for Interpretation _tThe Third Movement of Op. 106 (Hammerklavier) _tII. Correlation, Interpretation, and the Markedness of Oppositions _tIII. From Topic to Expressive Genre _tIV. The Pastoral Expressive GenreThe Four Movements of Op. 101 _tV. The Thematic Level and the Markedness of Classical Material _tVI. Thematic MarkednessThe First Movements of Op. 130 and Op. 131 _tVII. Beyond the Hierarchies of CorrelationTroping, Irony, Levels of Discourse, and Intertextuality _tVIII. Analysis and SynthesisThe Cavatina from Op. 130 _tIX. From the Aesthetic to me Semiotic _tX. Further Perspectives on Musical Meaning and Cognition _tConclusion _tAppendix: Abnegation and the New Genre _tGlossary _tNotes _tBibliography _tIndex of Concepts _tIndex of Names and Works
600	1	0	_aBeethoven, Ludwig van, _d1770-1827 _xCriticism and interpretation. _999827
650		0	_aMusic _xSemiotics.
263			_a200412.
710	2		_9111662 _aIndiana University. _bPress
830		0	_9109472 _aMusical meaning and interpretation.
942			_2lcc _cKT
999			_c33450 _d33450