000			03198cam a2200301 i 4500
008			150125s2007 nyum a001 0 eng
010			_a2006050659
020			_a9780195313710
020			_a0195313712
040			_aDLC _beng _cDLC _dBAKER _dBTCTA _dUKM _dC#P _dYDXCP _dTXI _dMUU _dOKN _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	0	_aML240.3 _b.G54 2007
100	1		_aGjerdingen, Robert O. _930
245	1	0	_aMusic in the galant style / _cRobert O. Gjerdingen.
264		1	_aNew York : _bOxford University Press, _c2007.
300			_aix, 514 pages : _billustrations ; _c29 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
505	0	0	_t-- The romanesca _t-- The prinner _t-- The fonte _t-- A Minuet by Giovanni Battista Somis _t-- The do-re-mi _t-- The monte _t-- A Theme and variations by Carl Ditters von Dittersdorf _t-- The meyer _t-- A Theme and variations by Joseph Haydn _t-- Clasulae _t-- An Andante by Christoph Willibald Gluck _t-- The quiescenza _t-- The ponte _t-- A Grave sostenuto by Baldassare Galuppi _t-- The fenaroli _t-- An Allegro by Carl Ditters von Dittersdorf _t-- The sol-fa-mi _t-- An Andante by Johann Christian Bach _t-- The indugio _t-- A Cantabile by Simon Leduc _t-- A Larghetto by Leonardo Leo _t-- An Andantino by Baldassre Galuppi _t-- An Andantino affettuoso by Niccolo Jommelli _t-- The child Mozart _t-- An Allegro by Wolfgang Amadeus Mozart _t-- Il filo : a Poco adagio by Joseph Haydn _t-- A model Adagio by Johann Joachim Quantz _t-- A model Allegro by Francesco Galeazzi _t-- Summary and cadenza.
520			_a"Music in the Galant Style is the first book to examine the cognitive development of elite eighteenth-century musicians. Hundreds of musical examples from more than seventy composers illustrate the standard patterns that formed a core vocabulary for aspiring galant musicians. These patterns - schemata - provided an aural medium of exchange between a patron and his or her musicians. By providing a known context for most phrases and cadences, the galant schemata helped to foster a music culture in which the patron's public display of taste and discernment was a central feature." "In documenting the link between training in partimenti and the student musician's cognitive development of a repertory of preferred schemata, Music in the Galant Style pioneers a new approach to this centuries-old, but still living music tradition. By analogy to "historically informed" performance practice, the book suggests a new type of historically and cognitively informed music analysis. It offers a new set of tools to explore the very particular sense of musical etiquette that pervaded contemporary discourse on eighteenth-century music and its musicians." "The book will help students, scholars, performers, and all lovers of eighteenth-century music to develop a deeper understanding of eighteenth-century music and to broaden their view of the repertoire."--BOOK JACKET.
650		0	_aMusic _zEurope _y18th century _xHistory and criticism.
650		0	_aStyle, Musical.
650		0	_aMusical analysis.
710	2		_9111967 _aOxford University Press.
942			_2lcc _cKT
999			_c33467 _d33467