| 000 | 02472nam a2200373 i 4500 | ||
|---|---|---|---|
| 008 | 971112s1998 nhu b 001 0 eng | ||
| 010 | _a97049996 | ||
| 020 | _a0819522562 | ||
| 020 | _a9780819522566 | ||
| 020 | _a0819522570 | ||
| 020 | _a9780819522573 | ||
| 035 |
_a(OCoLC)37975693 _z(OCoLC)1011756023 _z(OCoLC)1022737129 |
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| 040 |
_aDLC _beng _cDLC _dUKM _dBAKER _dBTCTA _dYDXCP _dLVB _dUQ1 _dUKMGB _dLS1 _dTULIB _dBDX _dKMS _dOCLCF _dOCLCQ _dOCLCO _dCKK _dOCLCQ _dIOG _dA7U _dDHA _dOCLCQ _dTYC _dOCLCQ _dBAUN _erda |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 0 |
_aML3845 _b.S628 1998 |
| 100 | 1 |
_aSmall, Christopher, _d1927-2011 |
|
| 245 | 1 | 0 |
_aMusicking : _bthe meanings of performing and listening / _cChristopher Small |
| 264 | 1 |
_aHanover : _bUniversity Press of New England, _c[1998] |
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| 264 | 4 | _c©1998 | |
| 300 |
_a230 pages ; _c24 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aMusic/culture | |
| 500 | _a"Wesleyan University Press." | ||
| 504 | _aIncludes bibliographical references (pages 223-225) and index | ||
| 505 | 0 | 0 |
_t-- A place for hearing _t-- A thoroughly contemporary affair _t-- Sharing with strangers _t-- A separate world _t-- A humble bow _t-- Summoning up the dead composer _t-- Score and parts _t-- Harmony, heavenly harmony _t-- An art of the theater _t-- A drama of relationships _t-- A vision of order _t-- What's really going on here? _t-- A solitary flute player |
| 520 | 1 | _aExtending the inquiry of his early groundbreaking books, Christopher Small strikes at the heart of traditional studies of Western music by asserting that music is not a thing, but rather an activity. This new work outlines a theory of what Small terms "musicking," a verb that encompasses all musical activity from composing to performing to listening to a Walkman to singing in the shower. Using Gregory Bateson's philosophy of mind and a Geertzian thick description of a typical concert in a typical symphony hall, Small demonstrates how musicking forms a ritual through which all the participants explore and celebrate the relationships that constitute their social identity. This trip through the concert hall will have readers rethinking every aspect of their musical worlds | |
| 650 | 0 |
_aMusic _xPhilosophy and aesthetics |
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| 650 | 0 |
_aMusic _xPerformance _xPsychological aspects |
|
| 710 | 2 |
_9112834 _aUniversity Press of New England |
|
| 830 | 0 |
_9108120 _aMusic/culture |
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| 942 |
_2lcc _cKT |
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| 999 |
_c33468 _d33468 |
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