000			03158nam a2200313 i 4500
008			151020s2008 nyua 001 0 eng
010			_a 2008013440
020			_a9780810983205 _qharry n. abrams, inc.
020			_a0810983206 _qharry n. abrams, inc.
035			_a(OCoLC)218188132
040			_aDLC _cDLC _dBAKER _dBTCTA _dYDXCP _dC#P _dBWX _dCDX _dLMR _dYBM _dCRH _dCQU _dKEC _dHEBIS _dA7U _dCNMBL _dLEC _dBAUN _beng _erda
049			_aBAUN_MERKEZ
050	0	0	_aND2590 _b.L49 2008
082	0	0	_222
100	1		_aLewisohn, Cedar.
245	1	0	_aStreet art : _bthe graffiti revolution / _cCedar Lewisohn.
264		1	_aNew York, NY : _bAbrams, _c2008.
300			_a160 pages : _billustrations (chiefly color) ; _c28 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
505	0	0	_t-- Foreword _r/ Henry Chalfant _t-- Author's foreword _t-- Introduction : Street art or graffiti? _t-- Graffiti : Live in Pompeii ; Brassaï ; The evolution of graffiti ; Lee ; Getting the picture: Martha Cooper ; Style wars ; Futura 2000 ; Early shows ; I am somebody! ; Graffiti is addictive ; Tags (Noms de Guerre) ; Barry McGee ; Brazil style _t-- Street art : Global-style graffiti, local-style street art ; Ernest Pignon-Ernest ; Blek le Rat ; Art school of hard knocks ; Gordon Matta-Clark ; Street art avant-garde ; Dan Witz ; UnderCulture gone mainstream _t-- Mixing it up: the politics : Anti-modernism (the Barbarians are at the gates) ; Jenny Holzer ; John Fekner ; Disrupting systems of thought ; Jean-Michel Basquiat and Keith Haring ; Setting and anonymity ; Obey: Shepard Fairey ; Survival in hyper-reality ; The medium is the message, sometimes ; Faile ; Kaws ; Advertising ; Mustafa Hulusi ; Subvertising ; Banksy ; Miss Van ; JR _t-- Museums and outlaws : Illegal volume legal ; Blu ; Outsiders ; Invader ; Sanctioning bodies ; Eine ; The market ; Judith Sulpine ; Swoon ; The Wooster Collective ; D*Face ; Sculpture ; Crateman ; Graffiti research lab ; The end is no end.
520			_a"Street Art is a global phenomenon, one of the most popular and hotly discussed areas of art-making on the contemporary scene. Developing out of the graffiti tradition of the 1980s it has now reached the mainstream through the work of artists like Banksy and Futura 2000, becoming the subject of best-selling books and commanding high prices at auction." "Cedar Lewisohn has written the first account of this visual revolution to trace its history from cave painting through to the vibrant art emerging today on the walls of London, Madrid and Sao Paulo, via Brassai's photographs of 1920s Paris and Basquiat and Haring's New York. Superbly illustrated with over 120 colour photographs of street art from around the world, the book includes interviews with leading street art proponents of the last three decades, taking the reader behind their 'tags' to encounter the often mysterious figures who are transforming cities across the globe."--BOOK JACKET.
650		0	_aStreet art.
650		0	_aGraffiti.
650		0	_aMural painting and decoration.
942			_2lcc _cKT
999			_c33869 _d33869